Sunday, December 30, 2012

The Competition Dancers.

By Jonathan Ching, Waialae Iki:

Competition is the process of trying to beat others: the process of trying to win or do better than others, a contest, an activity in which people try to win something or do it better than others.
"Do you ever question why our educational system teaches
competition rather than cooperation?"
Katusha Demidova and Arunas Bizokas
We have it in everyday life, so it is nothing new. That man can dance better than I. Should we be "equal?" We are all different and some are better at what they do than others. However, a competition that is set up specifically for that, is something else.

In dancing, the International Style of Dance is at the forefront of competitive dancing. And with reason, they have the judges with the best dance credentials for their own type of dance in the world. They have decided that Ballroom dancing is their kuleana, and I agree with them, it is rightfully theirs.

Only recently have they come to judge the teachers of this type of dance. So that it is becoming a subject for discussion on who teaches best. We have already heard of the two best groups consistently producing the best International Style dancers on this island.

 "Boogie Woogie Bugle Boy" by the Andrews Sisters

And by the same token we have the two worst groups of teachers. We are talking competition dancing, are we not? There are very good dancers that can demonstrate what they do so good, however, teaching is not quite the same thing.

Since we are in no position to judge, then the International wannabees must be the ones to judge by any rules that they wish. It's in their kuleana but they must do it in order to learn it best.

Dance competitions are now organized and conducted by independent competition production companies. There are approximately 200 such companies operating in the United States and Canada alone. Competition production companies move from one metropolitan area to another, stopping for a few days in each area to conduct a regional competition.

"There! I've Said It Again" by Vaughn Monroe

By touring in this manner, these companies are able to generate profits while at the same time enabling significant numbers of dancers to attend local competitions. They should be here this coming year and they will make millions. Some companies also conduct one or more national competitions after their regional tours have ended.

The competitive dance industry has no oversight body or standards organization, although at least one effort is underway to establish a limited set of competition rules and safety standards in the industry. Most companies conduct regional tours from approximately January through May, while National competitions generally run from June through August.

Pub's Side Note: Check out the blog by Kapolei Chapter HBDA in the Oahu - West blog. We congratulate Lorna Depew and the entire Chapter for coming through like champs for the reader/dancers of our community. There is a reason why it is the largest chapter in HBDA. The feedback is in the hits.

Friday, December 28, 2012

It's Rolling

We shall have a new beginning for us all.

"We spend January 1 walking through our lives, room by room, drawing up a list of work to
be done, cracks to be patched. Maybe this year, to balance the list, we ought to walk
through the rooms of our lives... not looking for flaws, but for potential."

"Finish each day and be done with it. You have done what you could; some blunders and absurdities have crept in; forget them as soon as you can. Tomorrow is a new day; you shall begin it serenely and with too high a spirit to be encumbered with your old nonsense."

From Honolulu Traffic

Tashima's final ruling — now the case is eligible for appeal:
Judge Tashima issued his final ruling yesterday and that allows us to at last appeal both this ruling and the others that he has made over the 19 months that this case has taken.

"God didn't promise days without pain, laughter without sorrow, sun without rain, but
He did promise strength for the day, comfort for the tears and light for the way."

Today's Star Advertiser headline is not only misleading, it is totally and completely wrong. No rail work is being "resumed" whatsoever. Construction has been halted for some time because of the State Supreme Court's unanimous decision in the Kaleikini case and will continue to be halted for at least another six months, according to the City. Far from "resuming," yesterday's ruling says the City and FTA, "are hereby restrained and enjoined from conducting any construction activities and real estate acquisition activities in Phase 4 of the Project."

100 of these (cost $700,000 a piece) would be how much? A hellava lot less than a
useless rail. Passengers riding in "comfort" and 80 cars would be missing right in
front of each the bus. The drivers would be "sitting" in the bus. 

Rail proponents, including Mayor Carlisle, are now saying that any further efforts on our part is obstructionism. Our case is that the amount that appealing the court ruling will cost is miniscule relative to what rail will cost in local taxpayer dollars to build and maintain this worthless rail line.
Consider spending $5.3 billion (and counting), nearly $4 billion of which will come from local taxpayers, to build a rail line that will cost an additional $100 million annually in operating subsidies, will not have a noticeable effect on the future greatly increased traffic congestion, and in 40 years will have to be renewed and refurbished at a cost close to what it costs to build.

An Industrial Park on the Ewa Plain big enough for 2000 employees. 2000 less cars on the freeway going to town. 2000 less cars contributing to Honolulu traffic and 2000 less cars
coming home. The workers? "I coulda been home in 20 minutes."

Think Aloha Stadium and the hundreds of millions of dollars that have been spent on it recently to keep it alive and remember that its original cost was only $37 million; that's the kind of financial craziness that goes with a heavy rail line. The 2009 FTA study of the refurbishing and maintenance backlog for the nation's seven largest rail transit agencies showed that it was over $50 billion — it has grown since then.

Fighting this rail monstrosity is essential to our fiscal health.

Wednesday, December 26, 2012

George Carlin

A Message by George Carlin from Google Plus:

The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.

We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.

"Into Each Life Some Rain Must Fall" by Ella Fitzgerald & the Ink Spots

We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.

We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.

These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...

Pub's Side Note: We have a whole new year in which we may be able to do something constructive. Happy New Year.

Monday, December 24, 2012

Saturday, December 22, 2012


In these days when we are getting less religious prejudice, some are neglecting their own Christianity. Christmas is one of the most important festivals of Christians. It is celebrated every year all over the world on 25th December.

"Reverend John Henry Hopkins Jr. 1857, "We Three Kings of Orient Are" also known as We Three Kings and The Quest of the Magi is a much loved and sung carol during the holidays. It reminds people of the lengths that the kings went to in order to get to our Lord and Savior on the day that he was born. It is a song of hope and giving and makes many wish that they
could have made that trip with the Magi to give gifts to the baby Jesus."

It was on this day that Lord Jesus Christ was born and we all respect it as that special day. Christians wear new clothes and attend special prayers in the church on Christmas. The churches are lit up an evening before Christmas.

Preparations are made a month before, usually on the day after Thanksgiving. The commercial section goes all out, and the schools are bringing the subject up in their teachings. Christians have made many mistakes but Christianity continues with a straight forward purpose.

On Christmas, Christians sing carols and pray together in the church. All the family members decorate Christmas trees with toys, decorative lights, balloons and candles. Children believe that it is Santa Claus who brings gifts for them. Christmas is a festival of joy and peace.

In the Dance World it is recognized and dancing moves a little to the background and other things are more important such as relatives, friends and their own personal Christmas world.

Pub's Side Note: Just got into Google + and it is a little complicated (too much available for me) but the simple stuff seems right up my social alley. It has just about everything as social media to supplement our blogs. Guy Kawasaki has just written a terrific book "What the Plus!" Paperback on sale at Amazon for only $8.

Wednesday, December 19, 2012

"Y Volvere"

Somewhere in the early seventies, still in Nicaragua, I heard a beautiful Indian song usually played simply with a couple of guitars and perhaps a drum. I thought it was Indian because I lived deep in the Central American jungles and outsiders just never heard of it. The name was "Y Volvere" (I will return.)

"You cannot have any successes in life unless you learn to accept some failures."

I left for the States and it took a while but I forgot it for almost 40 years. Then I found it recently when I had a little more time for the Internet due to the horrible bus situation, increasingly crowded. Very tiring to ride standing up and even worse seeing old ladies ride standing up from Waianae to town. Yoshioka couldn't care less. I copied the music, the simple version and sent it to Calvin.

Then I did a little more research and found a nice version by Los Bunkers, a Chilean band, beautiful arrangement. And right after that I ran into a Philippine version and music by Lydia Lau, another fine arrangement. And then one Mexican Mariachi version. I posted them in the blogs.  And I got more curious as Calvin Ota emailed that it reminded him of an old Carlos Santana song.

I can do research but this is the first in depth research I have ever done using only the Internet. It can be done. Apparently it was published by a Frenchman, Alain Barriere, under the name "Emporte Moi" (Important To Me) which he wrote in 1968. Aside from five notes in the beginning of Europa by Carlos Santana, the lead guitar is identical to the melody of "Y Volvere," by Los Angeles Negros, (the Black Angels, Mexican group) recorded in 1970.

Carlos is a great guitarist but at least the Los Angeles Negros credit French singer/composer Alain Barriere as composer. It was kind of a let down for me. I admired Carlos for so many years. He never said he wrote it but he allowed others to think so. It seems as though there is plenty of this going on.

Most of it is inadvertent, they pick up the sheet music from somewhere and they don't know who wrote it, but they like it and may make a few changes. I like the entire song but somehow it has a special flavor with a Rumba-Bolero rhythm.

Pub's Side Note: Now I am doing a little research on another one of my favorites, Dime by Morris Albert, which he wrote first in Portuguese, (he is Brazilian) and then wrote it Spanish, very similar. Then he renamed and rewrote the lyrics in English, "Feelings," when he came to the US on tour. It then became a smash hit in the US.

Tuesday, December 18, 2012

Luis Miguel - Contigo En La Distancia - Vidéo Dailymotion

Luis Miguel - Contigo En La Distancia - Vidéo Dailymotion

So I try something new, just click Luis Miguel and see what you can do with it. I think it requires a fast internet connection, good speakers on your computer or good earphones to grasp all the sounds available in the digital. I am trying to find a way of downloading the one without the commercials.

Saturday, December 15, 2012

The Law of Diminishing Returns.

We are just about there, if I am the only writer. One person by themselves is limited in any blog unless they are a very famous person and I ain't it. So it stand to reason and all of our reader/dancers will know that we need the Information and Photo Contributors more than ever to advance the readership. It is still a long ways from Social Media.

"Let go of the people who are holding you down. If you consider them,
you already know who those people are."

The total readership is at about 400 average hits per month for six blogs. Whereas the increment has been almost one every two days, it will slow down to about one a week, without additional Guest Authors. If we get a Guest Author, the hits will go back up to one every two days. This is all based on our past statistics.

"La Media Luz"  by Julio Iglesias

All potential Information Contributors are afraid of the commitment and we mustn't blame them. That is how it has been in the past, Newsletters, Web sites etc. But blogging is much different, we offer the platform and you use it whenever you damn well please. We have had Guest Authors that just stopped writing. No hu, hu,  and somehow Blogger just removed them. And they never complained, so everybody is happy.

For all Contributors: It benefits them, it benefits the blog and it benefits the reader/dancers which are the most important segment of the blogs. Also the fact that Town Dancer will probably be the first one of our blogs to become completely independent. That is from me. But it is still wide open. With a few people from any of the other blogs and with the average hits over 100 hundred per day, they can also go. The "Junk" blogs will remain mine til  the end.

Pub's Side Note: Perhaps things will be a lot better when the city gets over the Carlisle "cattle car" business in transit. Auwe!

Friday, December 14, 2012

The Disaster In Transportation

Met an engineer from the Mainland, who is in Public Transportation in San Francisco. Stated flatly, that they cannot go the Bus route in Honolulu because so many are already committed to the Big Buck Rail. However, the traffic problem could have been very much solved with the simple expedient of having the right buses.

Inouye: "The question has never been who is going to let me, but who is going to stop me."

20% of the fleet in Shortie buses, very important in the very local areas, but certainly not for the #40 bus going from town to Makaha, packed to the gills. 60% in Articulated buses (one tandem) and 20% in Bi-Articulated buses very carefully placed. The freeways? Downtown traffic? Where is everybody? But the passengers must have comfort. There is no one in the Ivory Towers of Honolulu Transportation that know this. They do understand "blasphemy."

Does anyone remember the "C" bus when people would take it instead of the car to town, they were comfortable. The rail people knew and they cut back on the buses and converted them into  "cattle cars." Now people back  on their cars and stuffing up the freeways. Smart!? Everyone that counts (users) know that we do not need rail, we need more buses, simple?

The money making transportation of the 20th century no longer holds true in the 21st. The government must do for the citizens of their communities. Provide comfortable public transportation to reduce the automobile traffic on the street and highways. But you can never in a million years do it the way the city of Honolulu is treating their fellow citizens that must use public transportation. Just to make billions and billions of dollars in profits on a useless rail. Even "forcing" the pedestrians is not going to work, and that is their intentions.

Data from the Chinese now proves, these Bi-Articulated (two tandem) buses are five times more effective than rail but at one tenth the cost. Now spreading all over South America. Rail is out, Buses are in! "And I could get the bus right around the corner where I always got it."

You don't make analysis of pedestrian traffic when you construct sidewalks. They are Public Sidewalks for the use of human beings, for the comfort of your fellow citizens. Not to make big bucks for someone in the construction of side walks. This is the 21st century, and Public Transportation should be the same.

What could just one of these do? But they will get to be used in cities of over five million or for longer distances, simply because they cost much less money than rail. How about a freeway around the Big Island. This would be it. Da rail? Fuggetaboudit! 

Public Transportation should benefit all the citizens of the community not just the select few to make the billions and billions of dollars in profits and the taxpayers be damned. And I am sure everyone has noticed the increase in prices in all the Super Markets. Inouye ain't going to pay, he lives somewhere else.

"Don't Get Around Much Anymore"   ...   Glen Gray

 Pub's Side Note: With a small industrial park in Ewa with 1000 residents working there, Wow! 1000 less cars on the freeway, one thousand less cars in downtown Honolulu. And one thousand less cars on the way back What a dream but a nightmare for the rail people. No mo da easy money, Sonny. No mo bread, Fred.

Wednesday, December 12, 2012

Not Ballroom?

By Jeffrey Felton, Nuuanu.

I haven't had much teaching but in over 60 years I have learned an awful lot of dancing. People would say I have loved music. True. The thing is I have never danced International Style and yet I haven't really danced American Style either. I have been lucky and danced mostly a kind of street dance learned at home parties, school gatherings, bars and night clubs.

"Carnival is a necessity in exhibition, theatrical, acrobatic and competition dancing.
Of little importance and may be superfluous in Recreational dancing."

When one dances with a variety ladies in a variety of places, one must stick to the basic movements so that we can both enjoy moving to the music. The step, step, step is very easily learned and with a little body action you can feel the music. And with the slow, quick, quick or quick, quick, slow, you get a little more variety with the appropriate music.

Learning the rock step and the chasse, gets you into feeling your oats in any dance and most ladies, bless their hearts, are very good at following. To top it off a few lessons at some social clubs like on Oahu and you can learn some easily led figures. Just be careful of teachers with LAGS.* You can wait months for the few good movements to become part of your routine, then if you feel like it take another course in bronze some where else.

"Jingle Bells"

I have seen the syllabi on the American, Country and International. They are mostly grouped the same because they took from each other. This was created by teachers a century ago and how they have perceived dancing mostly from their income perspective and make sense of their teaching to the prospective buyers.  It is not strictly social dancing.

In our social, street, cultural, recreational or whatever our group dances, the basic or "Bronze" is twice as big as the disciplines, and those are the basic movements used. When and if you get a steady partner or one that you dance with more frequently, then you begin to branch out into the intermediate class or "Silver." But you are not going to dance that with just anyone. Anything beyond this is "ballroom," exhibition, or competitions, contests, professionals or whatever but it ceases to be "Social." For most of us, it is not the same fun anymore.

When they say they have to "work" at it, then you know, it just ain't da reel teeng anymore. However if anyone wants to get into that, they have a right to their decision and we should respect that. Meanwhile, there's a hellava lot more us than all of them put together, let's dance, our kind of dance.  *  *  *  *

Pub's Side Note: *LAGS = Latest And Greatest Syndrome.

Sunday, December 9, 2012

Triple Filter Test

This specially for the Creative Researchers And Producers, they have dwindled in the last few years but unfortunately, some still remain.

One day the great philosopher came upon an acquaintance who ran up to him excitedly and said, "Socrates, do you know what I just heard about one of your students?" "Wait a moment," Socrates replied. "Before you tell me I'd like you to pass a little test. It's called the Triple Filter Test."

"Triple filter?" asked the man. "That's right," Socrates continued. "Before you talk to me about my student let's take a moment to filter what you're going to say. The first filter is Truth.

Have you made absolutely sure that what you are about to tell me is true?" "No," the man said, "actually I just heard about it." "All right," said Socrates. "So you don't really know if it's true or not.

Now let's try the second filter, the filter of Goodness. Is what you are about to tell me about my student something good?"

"No, on the contrary ...".
"So," Socrates continued, "you want to tell me something bad about him, even though you're not certain it's true?".
The man shrugged, a little embarrassed. Socrates continued." You may still pass the test though, because there is a third filter - the filter of Usefulness.

Is what you want to tell me about my student going to be useful to me?"
"No, not really..."

"Well," concluded Socrates, "if what you want to tell me is neither True nor Good nor even Useful, why tell it to me at all?"

Have you ever tried living up to it? Do you believe people can?
Well.. Don't just sit there! Share this lesson! this is a good one!

Pub's Side Note: In Waipahu? Most everyone might say;
"I coulda been home in 20 minutes." We're learning.
The sun doesn't rise and set in downtown Honolulu or Waikiki.

Thursday, December 6, 2012

International Dancers.

Ran into another Club Dancer who accused me of being an International Dancer. Us, the Social, Recreational, Cultural dancers have not found our right terminology or niche yet. Most of us know where we are at but the "outsiders" don't know. They just ain't wid it yet. Eventually they will pick up on the action. And we are definitely the biggest group of dancers on this island and we dance.

Life is too short to wake up in the morning with regrets.
So love the people who treat you right and forget about the ones who don't.
And believe that everything happens for a reason ...
If you get a chance - take it;  if it changes your life let it.
Nobody said it would be easy ... And it's going to end.
They just promised that it would be worth it.

The International Dancers look down on us as being junk dancers. And the other dancers brand everyone one that does not dance exactly as they as "International Dancers." Of course they simply do not know. International dancers are ballroom dancers and they usually require a ballroom. In the last ten years, (this century) the Internationals have seized the term for themselves, and rightfully so. It belongs to them, not "us." They consider themselves art.

So we are definitely in the middle of this dancesphere along with 60% of the dancers on this island. So how you like them potatoes? Sixty Per Cent! The problem is we are having to define ourselves first, and we will eventually find the acceptable terminology. We dance primarily American style of dance, not the International Style of dance. By primarily, I mean that many of us can modify any movement in it, if and when we damn well please. Somebody have a problem with that?

"We Wish You A Merry Christmas"   ...   José Feliciano

The competition and exhibition dancers dance only the International style of dance and they try according to their strict rules, which may be engraved on stone. And yes, everyone knows that some will take International dance classes for years, but would never make a dent in a competition. They have to live through that, it's their problem.

In our cultural dance group, we do not have to dance in ballrooms. We dance to our music, in libraries, gas stations, malls, school cafeterias, district parks and community centers, that's our culture. And if you see us dancing in a gas station, please don't call us gas station dancers. We have even been known to dance in Night Clubs and very nicely I may add, except in places where they force us to drink alcohol. We are gradually defining ourselves and taking a little pride in it.  Watch it, we may be Da Reel Teeng!

We are so fortunate that on this Island we have some of the best American Style dance teachers in the US. Now if we can just find a nice place in the West where they appreciate what we are, we can dance up a storm and enjoy life to the fullest! May I have this dance?

Tuesday, December 4, 2012

Simple Transit

It is coming out even clearer now, the bus situation that only the riders of the buses and the bus drivers know. Many on the freeway can only guess and they may be ignorant but they are not stupid. The ivory towers know from nothing. In Washington D.C. zero, zip, nada. Any bus driver knows more about transit in Honolulu than Daniel Grabauskaus and Wayne Yoshioka put together.

Perfect quote from a good reader:  "All I can say is - if you’re sour, that’s ok with me.
My door will always be open to you. But, you will have to excuse me if I don’t
let any of your sourness taint my sweet life."

If you replaced each of the express buses, 91, 92, 93 and 94, with Articulated buses where people could "sit" comfortably, a big step, (that's why the seats are there, not for standing.) Those buses are a miracle right now, at this present time, they just need "sitting" room. That would relieve a large portion of the cars on the freeway. And the C buses with Articulated buses but more of them. There were people at one time that used the C bus instead of driving to town. Not anymore, since they have been converted to  "cattle cars."

Hong Kong buses, now Articulated (as above, one tandem) but phasing over
into Bi-Articulated buses (two tandem buses) five times more efficient than rail
at one tenth the cost. No more rail for the Chinese, they are not dummies.

The "A" bus to Waipahu, already articulated and the #42 to Ewa Beach, already articulated are doing a terrific job in their routes. The #40 bus with articulated buses would be icing on the cake. That's it. You could stand in the freeway and yell, "Where is everybody?"

These are the people that travel to downtown Honolulu from Kapolei and environs and back in the evenings. And from these sections are the passengers on these modified lines. If they can "sit" comfortable, the time is not that important. They can get the bus right around the corner from where they always got it and be in town in less than an hour. This is happening right now. Can you imagine what it would be with the right buses and enough of them?

Just Two of these, in the AM, Kapolei to Kapiolani Park and park them. Then run them Kapiolani Park and back up to Kapolei in the evening and park them. Would
take care of our needs to 2050 and beyond.  Dumb Dodos!

No, the greed for the big bucks cannot be stopped. Estimates have now gone up to ten billion, almost double. Easy money and the entire state will go into limbo. You can see the prices already going up in the commercial districts. You ain't seen nuttin' yet. Wait till you see your property tax bill. Ha! Sooner or later people will realize that they were conned by experts in the lying department. And your mayor was one of them.

Pub's Side Note: Comments have been shut off except for members of this blog. Too much junk comments coming in. Wait a couple of months.

Sunday, December 2, 2012

What Do We Dance?

For this coming year we are getting some much clearer conclusions on the dance scene. 10% of the dance scene is the Ballroom Dancer and as they have insisted, it is the International Style of Dance for theirs is an art. These are their quotes.

Q: How do we know the Indians were the first people in North America?
A: They had reservations.

Because the Internationals have unknowingly dragged the terminology of "ballroom" down, we in the main body should and are accepting their suppositions. In their minds they are the Rootzi-Tootzis and we are the "junk" dancers. We can accept that in order to separate them from us.

Now may we just leave them aside and go on our business. As our own group, as cultural or recreational dancers, we will do just fine. We are over 60% of the total and that is quite hefty compared to the other groups.

"Oh! What It Seemed To Be"   ...   Helen Forrest & Dick Haymes

We dance predominately the American Style of dance and we tend to go with more of the basics than the fancy exhibition kind. We try to enjoy the music by moving to it and not worry too much about the dance. And yes, we are the cultural, recreational dancers, and we have been accused by Club Dancers of being International types. You got the wrong cat, Dude.

The Peripherals have at least 10%, Tango, Line, Salsa and Swing, they have been mainly in protest of "Ballroom." And the Club Dancers have at least 20%, they don't want anything to do with "Ballroom" and they differ from the rest of us mainly because they insist on live music, they prefer to dance in a Night Club environment and they use alcoholic beverages. They should follow their own likes and we don't criticize them.

We, the recreational, cultural dancers, dance in libraries, malls, school cafeterias, district parks and community centers, and yes, even night clubs. And we dance predominantly to recorded music. To dance a rumba "Y Volvere" by Los Bunkers, is an experience never to be seen or heard in any live dance on the entire Pacific Basin, I don't care who they are. Perhaps it is only my experience. If I started at five and I am 87 years old now, I will admit to my limitations.

"Your beliefs don't make you a better person. Your behavior does."

Pub's Side Note: The super market costing more? You ain't seen nuttin' yet, wait till you see your property tax bill. You have been unanimously selected to pay for the rail. Billions and Billions of dollars in pure unadulterated profits. Nobody asked the users, it's the money, Honey.