Town Dancer

It is the last of the month

2012-01-31T22:08:00.000-08:00

I had to get get something in for the last of the month, even though this blog doesn't really need me anymore. In fact I may not stay, even for the next guest author. I must get the other blogs going and as old as I am, I am running out of time.

"In West Oahu, no one has the ambition to destroy a fellow dancer

on the dance floor. either emotionally or on the spectator's eyes.

The dancing is too much fun for anyone to cop a killer instinct."

This blog will be mainly for the "to be seen" dancers whoever they are and by whatever rules they wish to go by. The have a nice crowd of fans and I can see them running the hits up over 200 average per day. They may in turn just evolve into a nice kuleana of nice dancing people.

The other blogs really need my help and the one that needs me the most is the one closest to my territory, Oahu - West. I must get more steady Information Contributors that can phase over into being Guest Authors. And it is almost the same thing except that it is possible that they will feel more freedom as Guest Authors. Everyone's two cents is a lot more valuable than that, much more than that.

"Be My Love" by Mario Lanza

At any rate the entire blogosphere is taking a shape all its own. All I can do is sit, watch and do what I can. The key seems to be in the Information Contributors and Guest Authors for the different points of view. That will make it Social Media. Perhaps the biggest gap so far is the neighbor islands. They seem to be very private. Once we get an organization from each island, the connection will be well on its way.

But the Pacific Rim is moving, with the Philippines really looking good. And so is Europe but Latin America is not doing so good. But then, I don't really understand the entire enchilada but the Blogger stats are there. I have my own stats which are more pertinent to us.

Jeannie Tucker's workshops Feb. 4 & 5.

2012-01-25T16:45:00.000-08:00

Just got a call from Lile Hanson about Jeannie Tucker's up coming Workshops hosted by the Swing Dance Club Hawaii.

Jeannie is a U.S. Dance Champion, Master Movement & Dance Coach. For those of you who took her last workshop spread the word.

Sounding like there is a lot of interest already. If you're interest is piqued there are a lot of videos of her on Youtube or you can visit her Website:

www.jeannietucker.com

Workshops: Saturday/Sunday, February 4th & 5th, 2012 @ The Palladium (Ala Wai Golf Course Club House 2nd Floor.)

Classes are $15 each so you can slice and dice as you please.

SATURDAY:
Open Dancing/Warm-up 10:00am - 10:30am

10:30am - 11:30am:

WCS
"Easy to lead patterns with flexibility to adapt to the music."

11:45am - 12:45pm:

WCS
"More fun with WCS"

12:45pm - 2:00pm LUNCH

2:00pm - 3:00pm:

Extra WCS Styling & Technique -
"Add a bit of flair with some creative changes."

3:30pm - 5:30pm: Private Lessons on a first come first serve basis

SUNDAY

Open Dancing/Warm-up 10:00am - 10:30am

10:30am - 11:30am:

Salsa - Level 1 - Salsa "Cumbia Style"
"A great intro or review of focused on "natural" & "well timed" foot & body movement.
This class is a great way to increase your mind/body usage of rhythm. This is a good overall technique class."

11:45am - 12:45pm:

Salsa - Level 2 (Smooth & Lead-able "Cumbia Style" Patterns)
    "Social salsa dance with smooth style. Learn to create a natural flow in your dance with an easy to follow style"

12:45pm - 2:00pm LUNCH

2:00pm - 3:00pm:     Nightclub 2 - All Levels
   "This class will quickly go over the basic movement if necessary, moving you on to some stylish, smooth patterns after that."

3:30pm - 5:30pm: Private Lessons on a first come first serve basis

Note: Sunday after the Workshops there will be dancing from 3-6 PM. Music provided by Super DJ Bert Burgess.

CU There!

What's Doin'?

2012-01-22T13:35:00.000-08:00

This blog is still a puzzle, but it stays ahead of whatever is in second place by about 50 points. At one time Platinum Corridor was in second place, but now it is Oahu And Beyond. At the bottom is the relatively new one Oahu - West and I deliberately omitted many gimmicks that I had done in prior blogs. I may institute a few in another month if it doesn't hit 34 per day.

"Everything has beauty, but not everyone sees it." - Confucius

This blog seems to have most of its readers from the Exhibition and Competition styles of dancing. And I believe the readers should make their own decisions. Therefore, one more guest author that leans toward International and I will phase myself out and they can have it. The probability is that they will run the average hits per day to over 200 (6000 per month.) I have much to do elsewhere.

Marketing, advertising and promotion still rely on ideas and only humans have those. That is why we must have our fellow reader/dancers contribute their ideas for these blogs now and then. We must accept constructive criticism and we will all learn the difference from "destructive" criticism. We will have none of this lying gossiping crap that has been going on for years. Everything will be up front and we will all be the better for it.

From Dance Notes:

The Jerky Rumba: This is unlike the smooth, sensuous, sleek, sexy and soft Rumba that has been danced for over a century. This one has an attack of Epilepsy on the two & three counts. With a quicker rock step, it gives the exhibition dancer a little more time to pose in the slow count. This is a modification that may eventually supplant the old Rumba in the International style along with the straight legs. But they are certainly within their rights to accept such a thing as "their style." And of course, with more differences in styles, it becomes easier to make the choices.

"YMCA" by the Village People

Hayseed: Applied mainly in the big cities on the mainland to men in jeans, khakis, mechanic jumpers or just sloppy. No respect for the ladies who are dressed so nicely even if the dance is Casual Attire. There was no mention of "slippahs."

Tuesday Night Practice at the Palladium

2012-01-18T18:58:00.000-08:00

Just a reminder to all you ballroom dancers, USA Dance, Honolulu Chapter, has been hosting an evening practice session at the Palladium. The Club has a half-ballroom (the stage side) every Tuesday for the month of January. A couple of Tuesday nights for February have also been scheduled. Debra & I have gone every evening, of course, and have been happy to see an increasing number of participants - dancers who just want some floor space to practice.

Some of us, who do competitions or exhibitions, can't help but to try to get some practice in during the regularly scheduled Ballroom Club events on Friday and Saturday evenings because the Palladium offers a large floor, not available in studios. But, because the regular dances are just that - social dances where people come to enjoy their dancing - we need to be mindful of other dancers, observe a certain etiquette, and not interfere with the enjoyment of other dancers. I'm sure that during crowded dance nights, if some of us blast through the floor in a quickstep run or quick sequential chasses, some will find it annoying. We often see couples off on the side, usually near the stage, practicing their groupings without interfering with the dancers on the floor.

Well, USA Dance is providing an opportunity for all of you who just want to practice on a large floor and not worry about annoying others. The format is very simple. USA Dance provides the music - a mix of Standard and Latin tunes. The music is played like background music - clearly audible, but not blaring. You are not compelled to dance the music that is playing. You can practice whatever dance you want during the entire evening, regardless of the music that is playing. So, if you really need to practice a Foxtrot amalgamation, to get it right, you can keep practicing it even through the Latin songs. Likewise, if you have a Latin grouping you want to perfect, it's ok to keep practicing your technique in the middle of the floor, disregarding whatever music might be playing. Then, when your music comes around, you can check your timing and musicality. You can even bring your own music and listen through earbuds or bluetooth headsets. I think you get the idea.

As you can see from the pictures, there is plenty of room for everyone to practice their own thing. And, that's what everyone was doing last night. Perhaps if it starts to get a little "crowded", it would be nice if you remain aware of others practicing on the floor and try to keep open "lanes" so that the standard dancers will be able to move freely down a lane without worrying about running into another couple. Perhaps if you imagine the floor as in this diagram and keep the latin and small standard grouping practice to the outside and middle sections of the floor and try to keep the shaded area "relatively" unobstructed so the standard dancers can practice their long groupings.

Of course, there are no "rules". If you find a disagreement with your partner and you end up "discussing" it in the shaded area, hey that happens. Or, if you're doing a Samba and it starts in the middle of the floor and it travels, and you hit a line in the shaded area - no problem. Standard dancers need to practice their floorcraft too. Likewise, standard dancers have groupings and line figures that they take to the center of the floor, so you might see a throwaway oversway next to chicken walks. But, if we get more and more people come to practice, if we could try to keep this general concept in mind, everyone should be able to get maximum use of their practice time.

Tuesday evening practice time is from around 6:30 to 9:30. It's free for all USA Dance members, including those from the mainland. And, it's only $3 for non-members. You can't go wrong with that. (No refreshments are provided - this is just practice time. Of course, you can bring your own snacks to eat outside.)

Hope to see more of you next Tuesday night.

With Aloha,

Calvin & Debra

What am I dancing?

2012-01-17T01:10:00.000-08:00

By Ron Misaki, Manoa.

Running around here and there, getting into the wrong clubs by mistake, I wonder what the young are doing. Perhaps, someone in the know can enlighten the rest of us.

"Remember, we all stumble, every one of us. That's why it is a comfort to go hand in hand."

They seem to have some sort of the old disco, dancing apart style. They may call it partner dancing but it sure ain't. Each one does their own thing and it seems as if they do some prescribed tricks, the dance has a name. However, it does look to me like a likely good first step if you enjoy the movement to music and would like to be a dancer in that environment.

The second most logical step would be to get into line dancing. You can learn short routines, with the natural music of most of the ballroom and perimeter dances. You do not have to have a partner and you can learn most of the beginning line dances in a very short time. Beside learning the rhythm of the different dances, you will develop your own styling too no matter who you try to mimick. And line dancing seems to kmow no age differences.

"Love Me Tender" by Elvis Presley

From there it is only a hop, skip and jump to real Partner Dancing and it is recommended to the over thirty. This is where men learn to lead and women to follow. Not only that but to see and understand the equality, in the differences. Well, maybe not. I tnink most women can outdance men simply because they must learn to follow. At least when you get past the beginner's stage.

There are over 500 documented step patterns in every dance. The syllabi of the American, Country and International have each about 50 in their Bronze, Silver and Gold Divisions. So there are literally hundreds of simpler, more basic movements that can be learned easily (without a professional dance teacher.) You can also lead and follow much easier and will be moving to music in a manner which is more like Da Reel Teeng.

Once you get past that stage you can be ready to decide if you wish to go into competition dancing. It is wide open for those that can develop the discipline. It is just not the same fun anymore and you will have a different goal.

Pub's Side Note: Yes, I have heard of a new dance blog but I do not know where it is. Perhaps they would like to exchange links. I am willing to help.

Wasabi @ SLA Hall Last night

2012-01-13T17:51:00.000-08:00

For those of you that couldn't make it to the Wasabi fete last night here are the sordid details along with more sucky shots.

The slog to town wasn't bad, a bit under an hour from my digs. listened to a Basia CD and thought of dance possibilities as I cruised w/the mostly flowing traffic. Found a spot for my ride and scooted on into the Saint Louis Alumni Hall just before 7 PM. The place already had 40-50 fans which is about normal on a week night. The usual suspects were in attendance, Line Dancers, Wasabi faithful and some new faces.

"Sing, Sing, Sing" by Benny Goodman

Found my cohorts and didn't bother to sit 'cause Wasabi was on the downbeat. Just about the first on the floor. I was Jonesing to dance so badly that they could have played a Gregorian Chant and I would have been on it replete with shaved head, burnoose robe circling and chanting. Okay, that's a stretch....I wouldn't shave my head, my giri giri can be seen from orbit.....gona be bald soon enough.

Okay, for a week night 40-50 is a good crowd but by 7:30 PM it was starting to look like a flash mob. I mean, what.... did they advertise free drinks and pupus? With each song the crowd swelled. By my first visit to the lua the festival attendees had doubled to 80+ I'd guess. The floor never got sardine packed but close for a few dances. Nice! The energy was "Party Hearty." I may be mistaken but it sure looked like everyone was having a grand time, wouldn't have minded another couple of hours.

Wasabi usually plays the 2nd Thursday of each month. Next booking is 2/9/12 from 7-10 PM. Nothing on the tube can match the energy of last night. If you are feeling run down or bored maybe you should stop by for a recharge next month.

Attending "Legacy" at Dots' tonight (my usual Friday.) Legacy sounded like a tight fun band on the Youtube offering I found. Two lady singers. Sounds good to me.

Have a great dance weekend,

R

Journalism and Blogging

2012-01-12T10:01:00.000-08:00

We are accustomed to getting static from the Webmaster section but nowadays there is even more resentment from the Journalism sector. The following are all stray quotes from the Internet.

"To think that blogging is Journalism seems dangerous and certainly misleading. Journalism is a profession, not a hobby. It usually requires research and some care in its execution. I guess we, journalists, editorialists, reporters, reviewers, could use Comment Is Free as a self-publicity tool, posting our most successful stories there after they've been published somewhere in print."

"But then, that's what personal websites or newspapers' archives are for. I have always thought blogging was a more spontaneous, informal way of feeding (or blocking) debate. Silly at worst, thought-provoking at best. To blog seems a little like to take a shower: the experience is quick, fun and energising and its good effects last but a few hours. Whenever I blog, I react quickly to a "fait du jour". I would not write in the same fashion if my post was aimed for publication. Blogs are subjective "billets d'humeur", not erudite and impartial analysis."

"The public is now assaulted by news and pretend-news from many directions, thanks to the now infamous "information superhighway." But the ability to transmit words, we learned during the Citizens Band radio fad of the 70's, does not mean that any knowledge is being passed along. One of the verdicts rendered by election night 2004 is that, given their lack of expertise, standards and, yes, humility, the chances of the bloggers replacing mainstream journalism are about as good as the parasite replacing the dog it fastens on."

Journalism: The style of writing characteristic of material in newspapers

and magazines, consisting of direct presentation of facts or occurrences

with little attempt at analysis or interpretation.

"Is blogging anything but a text media? Misspellings galore, poor syntax, sorry presentation. This is journalism? This is rubbish! Ok some can disagree but they must realize they are merely stirring the crock pot! And they will certainly get dirty. After all, lie down with dogs and you get FLEAS. I'm outta here!"

"The Internet is an NEW broadcast medium. Ted clearly takes the Established Journalism outlet point of view and that is the exact reason for democratic debate. However once the emotional dust settles and the facts win out, democratic debate reveals the facts. It matters not that both Ted and the Oregon Court are wrong when you evaluate the totality of journalism in the last 250 years. Blogging is precisely what journalism begins as in any new medium . . . even if that medium is simply the spoken word."

"Sing, Sing, Sing" by Benny Goodman

"Blogging is a kinda different from journalism. That's my share of comment. Let's let the party begin. If the Internet is NOT a broadcast outlet then why is there advertising on it? Why is there news on it? The first News Outlets in any town was the Town Crier then the Crier partnered with the Inter-Town Riders then Ben Franklin printed the first newspaper."

"Early newspapers were all independent operations just like bloggers. In fact, not until near the end of the 19th century did news papers become Established Media Outlets"

Pub's Side Note: You will notice there is no mention of Dance Blogging. Why? Because no one on this Island knows and we are all in the process of defining it. Perhaps by the end of this year we will have something pretty definite. For sure, the beauty of each blog will be the differences and no blog will be the same as any other.

Keep On Dancing!!

2012-01-09T18:56:00.000-08:00

At Christopher Bayot’s invitation, we attended his first “Keep On Dancing” social dance for 2012, this past Friday. Most of you are familiar with Christopher. Owner and Instructor at Keep On Dancing Studios on Ward Avenue, Christopher’s been on the local dancing scene for a long time. He teaches all forms of ballroom dancing, both American and International. In fact, Christopher was our first ballroom instructor and we competed in our first Hawaii Star Ball in 2005, under his coaching.

We got to his studio around 8:00 and the party was in full swing. There was a nice crowd there and we saw quite a few familiar faces. Live music was being provided by Jesse Gonzales. There was punch on the table, along with mochiko chicken, cocktail sausages, poke, cheese, and other snacks to help keep your energy up.

We hadn’t gone to one of Christopher’s socials in a long time. I believe he stopped having them for a while. Anyway, Christopher announced that he will be having a studio social dance on the First and Third Friday of the month. He has a new format that he is trying and hopes that you will drop in from time to time to dance and have fun socializing.

Christopher is providing another dance venue for you ballroom dancers, other than the Palladium and Warrior’s Lounge. He does charge a cover of $13 at the door. However, you can get tickets for $10 if you buy them in advance - the tickets are good for any Friday social for as long as he is having them. There is no expiration date on the tickets. Because this is a private studio, unlike the Palladium, you are welcome to bring in your own snacks and beverages of your choice, including alcohol. Bring your favorite cocktail mix or your favorite bottle of wine - no corkage fee. The cover charge helps pay for the studio overhead and music. Christopher provides cups, plates, napkins and plastic utensils. Not a bad deal.

At most of his socials, Christopher will also give a mini group lesson or lead the group in a fun line dance - the ladies love that, as you can see from the pictures. Click on the pictures to enlarge.

If you’re familiar with Jesse Gonzales, from the Warrior’s lounge, you know he plays all the standard ballroom music as well as West Coast Swing and other dance music. When Jesse’s taking a break, Christopher or his assistants keep the music going with great recorded music.

And, for you fans of Bruno Mars, did you know that Christopher is Bruno’s uncle? Yup, Bruno Mars is Christopher’s nephew, through his sister. Hey, maybe Bruno will pop into Christopher’s studio during one of these Friday night socials - you never know. If you think you might like this type of studio social dance, drop on by. The Keep On Dancing Studio is on the corner of Ward Avenue and Halekauwila Street, directly above the Kanpai Bar & Grill. There’s plenty of parking. If the parking lot behind the building is full, you can park in the parking lot across the street in front of Ross and Sports Authority.

Christopher is in the phone book and has a website: http://keepondancing.net/

That’s it for now.
Aloha,
Calvin & Debra

Town Dancer, Number One

2012-01-09T00:36:00.000-08:00

This is the best and most read blog in the Hawaiian Islands. I commend the reader/dancers for this and on the side, the terrific bloggers we are gradually getting in all of these blogs. They don't really know the value of their opinion yet. They just do their own thing and they do well indeed which is very evident in the hit counters on the blogs.

"Don't walk in front of me, I may not follow. Don't walk behind me, I may not lead.

Walk beside me and be my friend."

Most of the dancing in Hawaii blends very easily from one portion to the other. The first good and clear division in our dance ohana is between us and the International and the Exhibition dancers. Their dancing is meant to be "seen." And they are well aware of this and have taken great pains to show us that they are different from the rest of us. And I think we should accept. They belong to a different dance scene and it does not have to interfere with ours.

We dance for a far different reason. If the "Internationals" do not know it, it is not our problem. But we have been pressed to drive or impel the informing of anyone to take advantage of one of life's most promising past times. That is what we must cover in the future. And we must find the right terminology for our type of social dancing, that has been a humbug for a few decades. We are no longer ballroom.

But this blog, has been in my experience, very much into the "to be seen" category and therefore this blog should be theirs. The new information contributors will send us the information more easily. This can make the independence a lot more easy. This blog can then be their own mouthpiece.

Pub's Side Note: I give you the best blog on the Islands. And nobody wants it? And it is very strange, that everyone knows Da Rail ain't gonna work. Yet they are all committed to the Big, Big Profits to be made by the few.

Happy New Year !!

2012-01-05T18:27:00.000-08:00

We hope everyone had a safe and fun Holiday Season.

Another year has come and gone. As we get older, the years seem to fly by. Time is relentless - it never stops. And, when you get to a certain age (as many of us know), each year brings a little new reminder that you’re not as young as you used to be. BUT, getting old doesn’t have to be a bad thing. I received an email that said: “Today, you are the oldest you have ever been and the youngest you will ever be, so enjoy this day while it lasts”. I thought that was worthy of passing on to you. The email also contained the following for us “older folks”:

Observations On Growing Older:
~Your Kids are becoming you...and you don't like them...but your grandchildren are Perfect!
~Going Out is good.. Coming Home is better!
~You Forget names ..... But it's OK, because other people forgot they Even knew you!!!
~You realize you're never going to be really good at anything .... Especially Golf.
~The things you used to care to do, you no longer care to do, but you really do care that you don't care to do them anymore.
~You sleep better on a lounge chair with the TV blaring than in bed. It's Called "pre-sleep".
~You miss the days when everything worked with just an "ON" and "OFF" Switch..
~You tend to use more 4 letter words ... "what?"..."when?"... ???
~Now that you can afford expensive jewelry, it's not safe to wear it anywhere.
~You notice everything they sell in stores is "sleeveless"?!!!
~What used to be freckles are now liver spots.
~Everybody Whispers.
~You have 3 sizes of clothes in your closet .....2 of which you will never wear again.
~But Old is good in some things: Old songs, Old movies, and best of all, OLD FRIENDS!!
Here’s to You, "OLD FRIEND!" Send this on to other "Old Friends!" and let them laugh in AGREEMENT!!! It's Not What You Gather, But What You Scatter That Tells What Kind Of Life You Have Lived!

So, here’s to Old Friends . . . and New Friends!! May you All have a Wonderful New Year!!

With the new year, we have news of events and happenings from USA Dance, Honolulu, President Glenn Okazaki. An email blast went out to all USA Dance members but he wanted the information passed on to non-members as well - because everyone is welcome. So, we’ll just post his mailings below - for your info.

Hauoli Makahiki Hou!
USA Dance’s first dance of the year is this week Saturday, January 7, 2012.
Join us and have a BLAST for the new year! We will be on the Kitchen side of the Palladium on Saturday evening. FREE for members, $5 for non-members.
Dance starts at 6:00pm or thereabouts.
Great music
Great sound system
Great food
Great friends
What more can I say….

Happy New Year.
Glenn Okazaki
USA Dance Honolulu

USA Dance has Tuesday evenings from 6:30pm to 9:30pm at the Palladium (on the Stage Side) available for anyone who wants to practice. Jan 3rd and 10th are the first two available dates. Tuesday evening practice are FREEEEE to members. All others who wants to practice are welcomed to join us, at $3 per/person. It pays to become a USA Dance member, because you are able to get back more than you paid for your membership fee.

Remember to always practice two hours every night!

Glenn Okazaki
USA Dance Honolulu.
Wishing you all a Happy & Prosperous New Year!!!
Hauoli Makahiki Hou

In addition to their Monthly Dances, Saturday classes and workshops, and Tuesday evening practice times (every Tuesday evening for all of January), USA Dance, Honolulu also has ballroom dance classes for the young ones on Saturday mornings. So, it looks like USA Dance, Honolulu, has been busy planning for 2012.

Many of you know Debra and I. We're members of USA Dance (and on the Board). But, we're also members of almost all of the other Ballroom dance clubs in Honolulu. We're at the Palladium almost every weekend. We'd love to share news, information, pictures, reports, etc., from all of you out there. So, if you have something you'd like to share with the community through our Blogs, pleeeeeeeease share it with us. We will post it for you. We won't post our email addresses for obvious reasons. But, if you see us at the Palladium, come talk to us. We'll be glad to exchange email addresses and get your info posted for you. Or, if you'd like to become a guest author and post your own blogs on Town Dancer, that can be arranged too.

Again, we hope you have a Wonderful New Year and hope to see you on the dance floor soon.

With Aloha,
Calvin & Debra

Hale Koa Kalia Ballroom NYE

2012-01-03T02:58:00.000-08:00

Wasn't planning on going out New Year's Eve till Willow asked (at a Wasabi gig) if I was attending Al Waterson's Karaoke Banquet Show. I thought a second about Karaoke on NYE and went flaccid. I told her, "No thanks, I'll likely stay home rather than brave the traffic and road blocks."

She then shared that Gary Moore (who had just done a smoking set w/Wasabi) was recruited by Al Waterson to star in his NYE Show. Say no more...I was sold 'cause I knew that Gary Moore could bring it and make it a party.

Made it to town in good time. Picked up my date and headed to the Hale Koa. Parking was sweet. Got there early enough to slip right in.

Wasn't sure where the event was so used my ESP to guide me. Wrong Manong. Ended up at another event so went to the front desk after Willow called and told me she was running late. Said to meet Charlie at the front desk.

Charlie was there getting the tickets. After a bit Willow called again and said she was in the parking lot and would meet us at the Ballroom.

Richard/Cher were running late so the 3 of us went in 'cause Sarah was starvin' Marvin. We got our seats and hit the line. The food was okay, Sarah thought it was incredible. Hypoglycemia will do that to a person. Like they say, "Hunger is the best condiment." For such a scrawny little thing she ate a fair amount. (I usually drop more food off my plate than she eats.) I thought, "Good, now she won't run out of gas!"

Seated across from us at our table were Ed and Rachel Ramsey. We started chatting during dinner. Turns out that Ed was a Col. in the US Cavalry and led the last mounted charge in US Army history. He was stationed in Bataan and survived the death march and years as a POW. A real American Hero! He is 94 still very sharp and has a website. I googled "Ed Ramsey last charge" and it took me there. Wow, what an amazing start to a special evening.

There was a Piano player knocking out standards. Amazing renditions of the American Song Book Classics I grew up with. So wanted to dance but Sarah needed Calories. She finished in time for one dance before the pianist stopped. Sigh.

There was some light canned dance music so we warmed up to that. At 9 PM Waterson started and did covers that got the "Greatest Generation" on the floor for twirls. Lot of belly bumpers that gave everyone an excuse to hold their sweeties a little closer. Fox Trots mostly but you could Rumba, slow Bachata and Argentine Tango too.

After about an hour the crowd was getting restless. Hey, it was New Year's Eve!

Al started the show segment by introducing Little Richard. Never seen Gary in character, he...... was.....Little Richard! As soon as he started belting "Tutti Fruity" people swarmed and packed the floor ecstatic to shake the junk in their trunk. Now it's a party!!! His voice is awesome and rap between songs perfect. You'd a swore he was the real thing.

After a short break w/more canned music Al did a few more tunes and rapped while Gary did another costume change.

Sammy Davis was introduced to loud but curious applause. (This was another first for most of the attendees.) Wow, as you can see he looked the part and if you closed your eyes had the voice down. He started with a light patter but then when he started singing the sold out room went dead silent, mesmerized. No one danced, they just sat there stunned! What pipes! The applause was deafening for every offering.

After a couple of songs I couldn't stand it anymore. I've had the pleasure of dancing many times to Gary w/Wasabi but seeing Gary in character killing it tuned a great experience into a fantasy. Never got the chance to dance to Sammy and this was as good as it gets so we danced on a corner of the floor. A couple of others braved a twirl too. His last song was "I gotta be me." You know how some music inspires, moves and transports you to a different plane? How it can set you free for a few perfect golden moments? We were moved by this song and moved to that moment we all dance for. Sigh, best dance of the night for me.

After Gary stayed on stage and did some covers with Al and requests till the count down where we all toasted in the New Year.

If you get a chance to hear Gary Moore you won't regret it. I hear they are having a Legends Show in February. I'll keep you posted.

Pat Lambrecht helped me edit Gary's shots, that's why they look so good!

Happy Belated New Year,

R

The Plans

2012-01-03T00:20:00.000-08:00

This blog like all the others goes up and down on the hits and I average the hits daily which minimizes the fluctuations. Then I have the totals on the combined blogs and they fluctuate very little specially towards the end of the month. I am making my plans to make this blog the first independent. The total for all our blogsphere increases monthly. Now over 10000 hits in December.

"What is Christmas? It is tenderness for the past, courage for the present, hope for the future.

It is a fervent wish that every cup may overflow with blessings rich and eternal, and that

every path may lead to peace. Could be Happy New Year too?"

So we need that one more steady Guest Author, preferably someone in the "International" dance scene. They could get their feet wet just by submitting information and/or photos. Then this blog can evolve into their kuleana and that group is going to be needing just such a blog. Since it is the best one we got, they can't lose. With one more Guest Author they could get to 167 average hits per day, which translates to 5000 hits per 30 day month.

I can then get rid of it in good conscious and go on my merry way. They will discover new ways and means. I have my work cut out for me with all the blogs I have. For sure, I am learning this business better than anyone else. I can begin working on the next one for independence. I must begin to get rid of all of them and I may not have enough time.

"I'll Never Smile Again" by Frank Sinatra

Short Quote:
"Our feelings of dissatisfaction, unhappiness, loss of hope and so forth are in fact related to all phenomena. If we do not adopt the right outlook, it is possible that anything and everything could cause us frustration.

"Snowbird" by Anne Murray

Yet phenomena are part of reality and we are subject to the laws of existence. So this leaves us only one option: to change our own attitude. By bringing about a change in our outlook towards things and events, all phenomena can become friends or sources of happiness, instead of becoming enemies or sources of frustration."

Pub's Side Note: I want to publicly thank Ki of Dance Fever Oahu for updating our blogosphere in probably the best Web Site in Hawaii.

Happy New Year

2011-12-31T10:43:00.000-08:00

The New Year brings us new hopes, new promises and new reasons to dance. The New Year is a time for celebration of love, music, dance and of life. It's the time to thank God for our wonderful friends, and to bring to their lives as much music as they bring to ours. Life is a banquet and too many people are starving to death.

This coming year will mark the beginning of a year of dancing pleasure and discovery for us all. Each day will hold something special that is wonderful and new. This new year will adorn our lives with many beautiful things and sweet memories of dancing to cherish forever. And the care of those whom the heart holds close.

Better than any New Year has been and will be, Better than any joy known or to be known, Better than any wish realized or to be realized - that's how this New Year should be for us. And we hope you all have a great new year dancing.

Competition Dancing?

2011-12-28T00:23:00.000-08:00

Competition Dancers on Oahu
by Francis Kamiya, Kaimuki

Let us explore competition dancing, just to demonstrate some interesting points. At most competitions, the circumstances in which you dance are very controlled so as to be fair — you know the dance you’re doing, who you’re dancing with (your partner), the level at which the others are dancing (your class or difficulty level), the time you’re on the floor (a single heat is usually only a few minutes long), the steps to do (the syllabus), and the music is a certain tempo (set by the rules).

"For centuries people have kept an appointment with Christmas. Christmas means fellowship, feasting, giving and receiving, a time of good cheer and carries over into the New Year."

Spectators are usually other dancers, who appreciate the hard work involved, and judges, who are looking for specific, pre-defined things to put into your score. So you’re doing a controlled thing (dancing) in a controlled environment (at a competition) for pre-defined reasons (where do you rate on the scoring sheet?) for an audience who knows something about what you’re doing.

If you are a regular and like competition dancing, you’ll want to know there are two "flavors" — amateur and pro-am. Amateur only means the participants don’t make living by teaching dancing. An amateur dancing with a teacher is pro-am. Amateur couples are scored by their performance and, in a pro-am competition, the amateur is supposed to be the one being judged.

"Sh-Boom, (Life Could Be A Dream) by the Chordettes.

Some competitions result in only one winner, and at some competitions some folks don’t place or win anything. Other, less "serious" competitions may award everyone a first place, because you’re judged alone (and not against the field of other dancers in your category. It can get a little complicated and there are literally thousands of rules.

So let's face it. It ain't da reel teeng!

Pub's Side Note: We don't have to hold it against anyone who wants to be a competition or exhibition dancer. That should be their privilige. But then there is the Golden Rule. "
Do unto others as you would have them do unto you."

The Latin Competitions

2011-12-23T12:37:00.000-08:00

Latin people looking in on The Latin Competitions
By Brandis Riba, New Jersey

Latin people all agree that the Paso Doble is supposed to be intense but what they see at the competitions is grotesque facial contortions that border on hiliarity. What they also see is overpowering jazz and disco elements choreographed to (sometimes Latin music) and called Latin dancing. Many find the women’s costumes distasteful and even shameful to their culture.

"Gifts of time and love are surely the basic ingredients of a truly merry Christmas."

As I dodge a few hurling tomatoes and crawl back to my desk, let me tell you what my Argentine and Uruguayan friends have taught me about the tango and their relationships with the competitions.

Thanks to Argentine shows that have roared through the U.S. and Europe, the world now knows that the authentic tango is a completly different dance than what is displayed at the competitions.

The history is fascinating, and it has to do with the Argentine depressions and dictatorships that would cut her off from the rest of the world for decades. and a legend about a Prussian soldier inventing a military march time during WWII that set the standard for the European tango forever after.

"La Comparsita" by Placido Domingo

For many years, Argentine and Uruguayan people throughout the world saw that the tango demonstrated as a ballroom dance is totally foreign from what they knew. Many have told me they "just couldn’t bear to watch" those competitions. But somehow their authentic style has prevailed. Instead of lamenting, they made their own performance and the world was moved to tears.

They played their own music, danced their own dance and even the heart of the "cantador" and the soul of the "bandoneon." The tango of Argentina has made her place in the world.

Even ballroom competitors will attempt a little Argentine flavored footwork in their show pieces. I’ve even seen a video or two claiming to be representing the Argentine Tango, although most of it is really just fancy moves done to the American Tango.

"El Dia Que Me Quieras" by Julio Iglesias

The proper recognition is coming, be patient.

Swing Dance Club Xmas Dance @ the Elks

2011-12-20T14:05:00.000-08:00

What a yummy fun time @ the Swing Dance Xmas party last Sunday. Nice turnout of 70+ I'd guesstimate. This was my first and will be back next year.

Susan, Roland, Bill and Lile

The ladies were dressed to the nines which was much appreciated by the Martians in attendance. A lot of familiar faces w/surprise attendees and many new ones.

Aurora and Vince

Haven't been to the Dance Hall at the Elks since the Sunday Tea dances ended about 3-4 years ago. Very pleased to see that the hall has been tarted up w/the addition of a wonderful wood floor perfect for dance.

The event ran from 5:30-10 PM w/a nice buffet. Lots of dance, social chatter and laughter throughout the evening.

Bert Burgess (my fav DJ) was offering up choice cuts all night. During dinner the mix had people swaying, boppin' 'n tappin'. Pat commented, "I hope he plays those songs again later." Bert has a vast library of music. Don't know if he's into it but maybe if you need a DJ w/a top notch sound system (Bose I believe) for a dance or party give him a ring and ask. He can only say, "No"...which I doubt, he's too nice. Click on the Aiea Ballroom site to contact him.

Once the hunger was satiated the dancers packed the floor the rest of the evening. I heard comments of how many really good dancers there were. Picked up a couple of sweet steps.

CRS strikes again. PC definition of CRS, "Can't Remember Stuff."

I haven't been able to locate my 2 year old point and shoot camera. There is of course a perfectly reasonable explanation. I stashed it someplace really safe....... I do know where my Sony Digital is but can't locate the flash. Figure it's ensconced w/my "secured" P&S camera.

Okay this is between you and me and need to know.

Must have been exemplary this year 'cause under the tree I noticed that Santa left a tiny package w/a tear. I could make out the word "Canon." Figured it was already almost open so divested it of the torn and tattered wrapping to lo and behold, a camera!

Don't rat me out to Santa or any of his suck up elves 'cause I'll be back to the annual lump of coal. Already got enough for an imu. It's not that I'm naughty.... I really try to be nice, maybe make one or two questionable choices during the year but nothing naughty. You know, other people get away with full blown naughty but not ole Richie. Every Xmas there I am sittin' on a cold dank rock trying to keep warm next to my lump of coal fire hopefully toasting a marshmallow. Meanwhile all the naughty are out and about riding jet skis, driving new cars and partying like there's no tomorrow. What the heck? Maybe I should try for uber naughty this year.......

I digress, back to the camera. Did a quick "How to" and thought, "This is just what my primary caregiver called for, simple enough for a 5 year old." Confidently forgoing any silly attempt to practice I ventured out. Imagine my chagrin when I realized that a 5 year old has got some serious skills.

Bobbi and some funny lookin' guy.

They as yet can't make cameras Richie proof only Richie resistant. Validated this over and over again this weekend with a plethora of shots that ranged from blurry to shaky. Somehow stumbled into a couple of mistakes that are surprisingly usable. Still trying to figure out what I did right. Oh, that's right...someone else took them!

This cretin does not have the mindset needed for photo journalism. When the music plays my body wants to move in it's usual spasmodic fashion and does so with gusto. In hindsight missed out on many great moments. Made mental notes and hopefully will be able to retrieve them from my "everything goes in, nothing gets out steel trap brain."

Merry Xmas to all,

R

Confessions of a Ballroom Addict

2011-12-19T14:02:00.000-08:00

Another year is coming to a close. It’s the Holiday Season and time for parties, gatherings, fun and merry making. We want to wish you all a very safe and fun Holiday Season.

It’s been a good year for Debra and I. We’ve made new friends, continued our learning experience in dance, shared many experiences, joined more dance clubs, learned new dances, etc., etc. And, this brings to mind a YouTube video recently posted to Facebook by our friend and ballroom enthusiast, Yuko Yu, called Confessions of a Ballroom Addict. Some find it funny. Some find it amusing. Others find it boring. I find it kinda scary because it reminds me of someone close to me. :-) Anyway, I thought I’d share it with those of you who may not have seen it yet. Here's the link:
http://www.youtube.com/watch?v=Z_f7OioT2Gg&feature=youtube_gdata_player

Just so we don’t get totally caught up in dance, Debra & I make it an effort to do other activities. We just did the Honolulu Marathon (I still have a slight pain in my right calf). Here’s a picture of Debra and fellow ballroom dancer, Jackson Cho, with our dancing friends, Lorrie & Mike Chun. (Mike used to be an avid marathon runner - did the Honolulu Marathon in the “3-hour range” - WOW ! He’s now retired from marathons, but came down from their home on the ridge, with Lorrie, to support and cheer us on - on our home stretch. June decided not to do the marathon with us this year, but came down to cheer us on earlier in Waikiki and again at the finish line. This was Jackson's 11th Honolulu Marathon.)

Debra & I also have a hike planned for this coming weekend, and the Great Aloha Run in February (come join us for the run). I guess we can consider this cross-training for dancing. :-) . . . there we go, everything ties back into dancing . . . scary. Nah, we do other activities.

Anyway, Happy Holidays Everyone !!! Have Fun. Be Safe. And, hope to see you soon on the dance floor. :-)

With Aloha,
Calvin & Debra

Da News

2011-12-18T00:09:00.000-08:00

No classses in town, just party, party, party. Mostly in Waikiki. There is some action in the classy hotels on the Waianae Coast but not for us common folk. They will wait on you Hand and Foot, but charge you an Arm and a Leg. Later for them, much later.

"Keep the smile, Leave the tear, Think of joy, Forget the fear, Hold the laugh,

Leave the pain, Be joyous, Coz it’s a new year! Happy Holidays!

For sure Waikiki is getting seedier by the day. The traffic is bad on week days and gets worse on Week Ends. It is getting more cheap carnival kine. So the Hotel String going up to the Airport is going to get some action. It was there at one time but advertising had all gone to Waikiki. Now the locals are leading in the action towards the West Coast.

Then too Waikiki is coming into its own with the new Waikiki Social Dance Club. Different than the ordinary dance clubs in town that must adhere to a regimen set down by American and International styling associations. The revolution has not been long in coming since they started to lose so many dancers.

It is coming back strongly now in the mix of the club dancer with the ordinary beginning ballroom dancer. Some standard basic movements that have been there for centuries are beginning to be accepted because they are easy and do not require hours of practice or teaching by ultra professionals.

We must give them all the help we can give, and hope for the best for the dancers. That is, the ones that do the dancing for fun, not for the others.

Yes, we have too many new gadgets available:

If she wants a date, Meter

If she wants an escort, Conductor

If you think she is picking your pocket, Detector

If she goes up in the air, Condenser

If she is slow on comprehension, Accelerator

If she is hungry, Feeder

If her hands are cold, Heater

If she is narrow in her views, Amplifier.

Knicks Knacks

2011-12-14T00:53:00.000-08:00

From the Coach’s corner:

"The one thing I tell people is when you’re dancing just try to listen to the music and picture yourself, or assume that you’re part of that band, that you’re one of the instruments in that band, and you want to make your body do what that instrument is doing. And above all, enjoy yourself!"

From the days when they did not have music 24/7:

Take a music bath once or twice a week for a few seasons.You will find

it is to the soul what a water bath is to the body. ~Oliver Wendell Holmes

Making resolutions?: Involve friends and family. They can support your efforts, and can motivate you to keep going. Setting a personal goal is not a "promise" which can never be broken. Don’t paint yourself into a corner by overstating what can be a realistic change you plan to make.

Clave from Africa? There are several methods and some that are wrong. There may be a clarification some day but most of it in looking at it from the present and it is not from Africa. It was from the original Indian music before the Spanish got to the Americas. Only it was in a five beat measure. (yes they had six and even seven beat measures.) The first measure was 1,3,5 and in the second measure it was 2 & 4. So you have 3 in the first measure and 2 in the second, every other beat, these Indians were simple.

But what happens when you try to apply it to a four beat measure? Ah Hah!

Back in Town Dancer

2011-12-11T19:53:00.000-08:00

I thank Calvin again. I can see the entire enchilada now and I can get back to see how I can make it an independent blog, without me permanently. A few people seem interested but since they don't really know, they are afraid of the commitment which actually there is but not much to it.

"If you can't feed a hundred people, then feed just one:. ~Mother Teresa

Another part of an interview with Frankie Manning:

When did the teaching part of your career begin?

That didn’t start until in the ‘80’s! Actually, I didn’t do teaching the way that it’s done now. But I guess I started teaching as soon as I started dancing. I would get out on the floor and I’d do something, and if I thought it was good I would call somebody over and say, "Hey, come over here. Can you do this?" But it wasn’t like you were going to do 1, 2... we didn’t know anything about counting or anything like that, we just listened to the music and we would say, "Hey, look, this step fits the music, let’s do this step."

I would show it to this particular person, they would learn it, somebody else would learn it, they would teach it to somebody else, then they taught it to somebody else, and that’s the way the steps got spread around. So everybody would learn it. One person would show another person, I don’t say teach, they would show them and that was the way we all learned how to dance... by watching what other people did.

"Take The A Train" by Duke Ellington

One you started teaching; did you enjoy the teaching aspect of it more or the performing?

When I first started teaching, I enjoyed that very much. It was kind of... it was educational for me, plus it was comical and humorous because I was used to showing somebody a step and they would get it almost... When I started teaching, people started asking, "What count is that?" And I would think, "What count? I don’t know what count that is!" I’d say, "I don’t know what count it is. I’ll tell you what, I’ll do the step and you count!" So I would do the step and they’d count and they’d say, "Oh it’s on count...." I’d say, "Yeh, okay, that’s what it is!" I’ve been teaching now for a long time and I’m still learning.

Pub's Side Note. People still learn on how the music moves them. The other method that is taught is a different thing, not wrong, just different. And what is this about a Night Club with a built in Dance Studio in Honolulu? Or a Dance Studio with a built in Night Club? And the new Blog, Oahu -West.

Thanks Calvin for the first step

2011-12-08T16:09:00.000-08:00

Thanks Calvin, I seem to be back in as a Guest Author, so I can see, New Posts, Edit, and limited Setting. The next step is Administrator and then I can see the whole enchilada. Mahalo to those who accepted any inconvenience.

"Charity sees the need, not the cause"

Meanwhile, I have tried Word Press, and have found it wanting. It is free, but at every turn, they "offer" an upgrade. You cannot color a line except through html and a photo that is posted cannot be made larger, only smaller. Minor inconveniences but they add up. The graphics do go in color which is nice.

Blogger has a mass of inconveniences too, so I will be looking into another free blog somewhere.I will have to look. No news on the recovery of Platinum Horseshoe. It has no administrators at present so it cannot even be deleted by anyone.

I will probably get a new Blogger blog to cover the "new" territory. West Oahu sounds like a nice solid name and we can change it later if we want.

Moanalua Corridor is pretty well established from Pearl City to Salt Lake. They are on solid ground, and the dense population is a big help. The entertainment centers have doubled in the last ten years, so that the deluxe nightclub is coming. $20 cover charge will probably reduce the bar bums, but the drinks will be fairly priced and they will probably have a Juice Bar. This can make for a class clientele that may stay a while.

"I'll Never Smile Again" by Frank Sinatra

The natural line of dancers strength has already occurred past Pearl City, from Ewa Beach up through Waipio, Wahiawa and all the way up to Haleiwa. The nightclubbing center for now at Wahiawa. Everything west of this line is our kuleana. This is a limit for us and does not apply to others. They can and should do as they please.

The very good news is that the total hits on all the blogs is going up, not spectacularly but slowly and steadily. From my stats, I cannot see the point of diminishing returns. We are still in process of developing the whole thing with the object of having all the blogs having different Guest Authors and minimize the interlocking kind of thing. We should continue the pursuit of diverse opinions. That will cut the Creative Researchers And Producers down to nothing.

Cordoba & Szekely follow-up

2011-12-05T19:56:00.000-08:00

Robert Cordoba and Deborah Szekely were here giving a two-day workshop at the Palladium this past weekend. Due to schedule conflicts, Debra and I couldn’t attend all of their sessions. However, we did manage to go to their Hustle segment. All we can say is these two are fun, informative, and are well capable of showing you how it’s done.

Because I provided some background about Robert and Deborah in a prior blog, I won’t go into their credentials again. If you missed my blog and are still curious about this couple, here’s the link: http://townelite.blogspot.com/2011/11/cordoba-szekley.html I also scanned one of their cards, which I posted below.

In addition to the Saturday afternoon Hustle session, Debra and I went to the Swing Dance Club Hawaii’s social on Sunday evening. While we were there, we chatted with some friends, including Sandy, who told us that all of the workshops were great and, especially, the West Coast Swing workshop where they spent some time on pauses and hesitations which give each dancer a lot of freedom of expression either individually, or as a couple. Too bad we missed that session. We’re trying to learn WCS - well . . ., me, more than Debra, because I have to be able to lead it and Debra seems to be a natural. :-)

What really caught our attention was their little demonstrations or mini-exhibitions. I’m not sure if this couple is still actively competing, but they have some pretty slick moves. I’ve attached a brief clip of their impromptu dance. I didn’t get their permission to video or to post any videos of their performance so it’s just a really short clip just to give you an idea of what they look like - just casually dancing for a small social audience. I think you’ll agree, they’re pretty good. Those of you who were there and saw their performance know what I mean.

We also talked briefly with Robert and Deborah at the social. We found out that they do like to occasionally vacation in Hawaii. And, while they’re here, they certainly wouldn’t mind getting in a little workshop or coaching time to cover some of their travel expenses - hey, why not. And, they do welcome private lessons at a reasonable cost.

In addition to West Coast Swing and Hustle, they also teach the Nightclub 2-Step and some of the American Rhythm dances. We also found out that Robert danced and competed, at one time, with Brian Watson’s former partner - before Carmen. So, he’s got a little experience competing in International Latin, and Standard as well. And, Deborah is no pushover. She's a powerhouse that keeps everybody on the right track. Anyway, if you like these types of dances, keep an eye out for their return to Hawaii.

Carolyn Noah did a great job organizing and coordinating the Cordoba-Szekely workshops. Hope she does it again in the near future.

With Aloha,
Calvin & Debra

What was ballroom in the eighties?

2011-12-05T10:20:00.000-08:00

From Diary of a Street Dancer
By Walter Darian

USA New York and East Coast, in the eighties.

To be included in the "select" group, a dance must have lasting appeal! A dance’s Basic step determines whether it will be accepted by "trendy" public as well as the experienced Social Dancer. The great appeal of the Mambo was, and is its Basic step — the dancers constantly moving from and returning to the Basic.

"Of the dancers, by the dancers and for the dancers, does not include all the dancers.
There will be some that do not wish to be included and their wishes should be respected."

A sure "kiss of death" for a new dance is one with an uninspiring Basic step. The Hustle is a good example: when first introduced it was vastly different from the popular style introduce a year later. — when a "quick" step was added to the Basic. The addition which made the dance, - gave it substance. Not since the Mambo, has a dance been so embraced by the dancing public and it has taken its deserved place with the other classics.

There are five "Major" (must have) dances popular with "the crowd." And topping the list is,

The Mambo: Mamboniks are simply driven wild by its pulsating, exciting rhythms.

The Tango: Danced in your preferred style; Roseland, International, Cafe or Argentine — is perhaps the most beautiful of all dances. Its music ... intoxicating. If there are violins, guaranteed her eyes will be closed.

"Rags To Riches" By Tony Bennett

The Foxtrot: Slow and easy, your arms around your partner, cheek to cheek. or to a faster tempos of Society music, is pure delight.

The Lindy: I have said so much about my favorite dance, there is no need to elaborate.....

And there is one more that rounds out the "Big Five." It is exciting, breathtakingly fast and a real crowd pleaser! It is also the most difficult of all the American Social dances. When you‘re moving at "figure skating" speed ... suddenly stopping short ...turning-on-a-dime, reversing your direction (against the LOD) the girl responding with a smile, following perfectly and rewarding you with words like."Oh, you’re wonderful" I tell you, thats pleasure.

You’ve guessed by now, that I am referring to another of my favorite dances — the spectacular Peabody!

When you can do these five dances of substance well, you can have the satisfaction of knowing you can dance with the most sophisticated Social dancers of New York and Florida. No small accomplishment!

Pub's Side Note: Styles and preferences do change and in the 21st century it is definitely morphing over into Latin. This means Waltz, (chasse and the walking 3 count) Rumba, Cha Cha Cha, Samba, Tango and Swing. And the line dancing will conform.

The Time for Town Dancer is coming

2011-12-03T00:00:00.000-08:00

Town Dancer blog with Calvin and Richard blogging is moving even farther ahead of whatever is in second place. Now, we really have to go for Guest Authors to open, post and close all by themselves without saying "excuse me" to anyone.

"You cannot help people permanently by doing for them what they could

and should do for themselves."

No annual or monthly meeting. No annual fees or monthly dues. And they can write whenever they damn well please. We cannot get any stricter than that.

Calvin and Richard have both shown interest in Swing. I include an excerpt from an interview with the famous Frankie Manning.

When did you start dancing?

I actually started dancing in 1927. At the time I was 13 years old. I like to say I started dancing then because that’s the first time I can remember going to a ballroom, where there were kids around my age that were dancing. It was the first time I actually had an opportunity to dance with a young lady.

And was that all swing?

At that time it was called swing. Lindy hop had just begun. The youngsters were doing what we had done before, like the Charleston and the dance we called the breakaway, which is the Lindy Hop, period. But at that time it was swing music, so the dance just went along with the music.

Had you studied other kinds of dance before you did swing?

I didn’t study any dancing, period. I never went to dancing school or anything. I just went to dances and watched other people dance and picked up what I saw them doing.

So at the time you called it swing, you didn’t call it jitterbug or lindy hop?

Jitterbug wasn’t even a name back in 1927. The word jitterbug didn’t come about until the mid-thirties. Around ‘37, ‘38, ‘39.

How long after you started dancing did you actually start performing?

I didn’t start performing on stage until 1937, which would be 10 years later

____________________________________________________

Pub's Side Note: Is it possible that Frankie Manning could evolve into the swing icon of the 20th century without a professional teacher. Unbelievable..

So Town Dancer is overdue to become the first independent dance blog in Hawaii. I will stay but only as a Guest Author and get my two cents in once in a while. But the administrators will run it and it will be Social Media.

Knick Knax

2011-11-28T12:48:00.000-08:00

For us old timers, December can be a great time to think about the changes we want to make in our lives. Being and staying well is a resolution many people make for the New Year, but those resolutions can lead to frustration when we find we have set unrealistic goals.

Making a resolution to change one thing that will make us healthier

is a priceless gift that only we can give to ourselves.

Relative Costs

Competition style of dancing will eventually cost more than any other type of dancing. And it stands to reason why. You know it or you ignore it, it is up to each individual.

Social dancing, just to dance for fun, can cost from much to little and in some cases gratis. If you can develop a nice loose style in line dancing, it will give you the step up to learn Country, American or Universal dance steps and patterns by absorption and watching. When you get to that point, (to dance well) you learn one other thing. You must dance, dance and dance and the more you enjoy it the better it gets. Dat's da reel teeng!

Twenty Five years ago when Salsa was in the process of migrating from the streets to the Ballroom, many good dancers were dancing Salsa for four or five hours straight. Having drinks, socializing and repeating over and over again. Fun, fun, fun.

"How High The Moon"by Les Paul and Mary Ford

It happened in a building down town:
An executive type got on the 12th floor with a lady. On the 10th a gorgeous secretary type got on, poked the exec in the ribs and said, "Hi, Cutie Pie." The lady with the man leaned over and said, "Hi, I am Mrs. Pie."

"Till I Waltz Again With You" by Theresa Brewer

From Mr. Geoffrey Fells:
Aloha

On the Friday session of Hawai'i Star Ball, September 30th 'Olelo, the local television station, taped the evening event. The television broadcast of the event will be shown on 'Olelo, Channel Oahu 52 on the following dates and times:

December 20 Tuesday at 8:00am

December 23 Friday at 7:00pm

December 27 Tuesday at 1:00pm?

December 30 Friday at 8:00am

Geoffrey Fells
___________________________________________________________

Reprinted from the Hawaii Filipino Chronicle:
Why...Is a Favorite Question We Ask, Why?
by Felino S.Tubera

We both understand that getting old is mandatory, if not inevitable. But growing old and feeling good are optional. In outlook or perspective, aging is relative. Growth is life in action. Life as a noun can be activated as a verb: living it. Activity is life. Life is activity. Live life as if dying, or not dying, it's a matter of choice. A viewpoint or a point of view.

There are times we trip over bumps on the roadway, set back by difficult obstacles. Other times, we emerge triumphant against unimaginable odds. Life sinks and floats. Life stumbles, bounces back, moves on. Which way? We have directions to determine, to follow, to pursue. We find ways to survive. We prevail. Death itself, we shall overcome. That's the promise of life. Sometime. Somewhere. Leave the question, how, to eternity.

OMG... Music and Dance at Dots last night was off the charts

2011-11-27T15:47:00.000-08:00

I know this is Town Dancer but figured I'd give a heads up. For those in the market a fun new music/dance venue is minutes away. Dots in Wahiawa is starting to roll and gathering momentum fast. Never too late to get on board.

I arrived before 7:30 PM and noticed that the parking lot was near capacity so decided to do it on the street rather than test questionable geriatric parking skills. I thought, "Hmm... a lot of people must be watching the UH game in the bar." Wrong manong. The bar was less than half full but the banquet hall had close to 100 people already!

Wonderful to see that Lani and Paul made it out from Hawaii Kai! Also first timers Sharon and Bruce as well as the townie believers Willow, Pat Lam, Ruth & Joe, Charles, Jennifer, visiting friends and so on. The line dancers were well represented by 2 tables, Sharon, Mel, Reggie to name a few plus a semi load of new faces. Guesstimate for the crowd last night would be 150 stoked souls.

Found a seat and had just enough time to give my alohas before the band hit it. There was a tangible surge on the downbeat as dancers eager to burn it glided out to the floor. It did not take long for the music to fill the floor with couples and gyrating torsos. The NRG was gregarious permeating every aspect keeping the place a buzzing w/all sharing the high. I commented early on that I was getting light headed and definitely picking up on other people's highs.

After the break Gary Moore was featured. He started off the 2nd set with Little Richard. The bodies inundated the floor like some biblical flood euphoric smiles bobbing everywhere. He also covered Elvis as well as Sammy Davis Jr. interspersed with a humorous comfortable rap.

Pat Lambrecht sent a link she posted of Gary Moore last night @ Dots on Youtube as well as these wonderful pics. A big mahalos to this talented lady.

http://youtu.be/BKnDaaDDpRU

What I did notice last night was the dancing whether solo or couple was unpretentious and all about the moment, getting in touch with one's joy.

Unbeknown to the at times 60 plus bodies on the floor the large polished tiled area fronting had also been prepped with a kiss of dance wax. My partner commented on how great it was to move on. I stuck to that area for the elbow room with a few other akamai individuals most of the night.

After a few of us retired to the bar for Karaoke. Good thing we got in there early 'cause a huge group from the dance followed shortly to serenade us. Again the ladies were amenable so I got in a few more twirls.

Looks like Dots is well on it's way to securing it's spot as the numero uno gathering spot for music aficionados and lovers of dance on the Leeward scene.

Next week the King Pins return on Friday 12/2/11 as will I.

The following 2 weeks they have music scheduled for Fridays and Saturdays. "Audissey" 12/9/11, "Wasabi" 12/10/11, "Johnny Rock 2" 12/16/11, "808 Easy Street" 12/17/11!

Woo, I think I just had a dance-gasm thinking about the upcoming play dates. Oh, oh TMI......

Contemplating ceasing blogs on the fun at Dots. If it gets any more popular I won't be able to get in but Sharin' 'cause I'm carin' :),

R

What's Cooking?

2011-11-26T14:00:00.000-08:00

After Thanksgiving, us old timers recognize that another year has almost gone by. We have lost so many of our dear friends, apparently this is another old age defect. But some of us are not doing too bad in wanting to help people and do right. As this Holiday Season gets under way our thoughts turn gratefully to the many who have made our progress possible, our reader/dancers and our Information Contributors. We thank you and may you have the best of Holidays.

"Silence is just as loud and can ratify the original assumption."

There is a 900 number to call to test your IQ. Costs $9.95 per minute. If you make the call, you are a moron ... If you stay on the line for 3 minutes you're a complete idiot.

From actual court records:
ATTORNEY: Were you present when your picture was taken?
WITNESS: Are you shittin' me?

The Lindy Hop (funny name):
One evening in 1927, following Lindbergh's flight to Paris, a local dance enthusiast named "Shorty George" Snowden was watching some of the dancing couples. A newspaper reporter asked him what dance they were doing, and it just so happened that there was a newspaper with an article about Lindbergh's flight sitting on the bench next to them. The title of the article read, "Lindy Hops The Atlantic," and George just sort of read that and said, "Lindy Hop" and the name stuck.

In the mid 1930's, a bouncy six beat variant was named the Jitterbug by the band leader Cab Calloway when he introduced a tune in 1934 entitled "Jitterbug". There have been many new names and many new variatiions to swing.

West Coast Swing Dance Sunday 11/27/11 @ the Palladium

2011-11-23T01:33:00.001-08:00

Aloha Dancers.

Very articulate, well researched article Calvin did on the upcoming WCS workshop w/Cordoba & Szekley courtesy of Caroline Noah.

By the tenor of his latest offering it sounds like Calvin has caught the American smooth bug. Nice! Another acolyte spreading the word is a good thing. I saw Calvin and Debra at the WCS dance after Buddy's classes. Looked like they absorbed quite a lot. What stamina, class all day and dance all night. Aaah, to be younger. As quick studies they'll be adept at WCS, Hustle, NC2S as Ballroom in no time.

I am hopeful that Cal's write up on the Cordoba & Szekley workshop will go viral with his friends and be as successful as Buddy's. The more Westies, the more fun.

Okay, so for those that had their interest piqued by Calvin the West Coast Swing Club has a dance this Sunday at the Palladium. Don't be shy, the dancers are friendly and the club welcomes all. This club is equal rights...ladies can ask too.

When I was first interested in dance 3+ years ago Roland the president welcomed this shy non-dancer to the WCS experience with, "You might as well come in, the girls are looking at you like a piece of meat..."How does the blue plate special refuse such a warm heart felt invitation? I stepped in and have never regretted it.

There is an $8 non member fee, $5 for members. Joining is $20 a year (so I'd wait till Jan.to decide.) The half hour lesson is from 6:30 to 7ish. My fav DJ Bert Burgess spins tasty tunes and takes requests.

They usually hold dances on the 1st and last Sunday of the month.

You can get updates by signing up with:

http://groups.yahoo.com/group/SwingDanceClubHawaii_WestcoastSwing/

Come join the fun. It's not about how good you are at dancing but how good you feel when dancing,

R

Knick Knacks

2011-11-19T00:30:00.000-08:00

From a ClubDancer
Enio Cordoba, owner Granada Ballroom
Alhambra, California

Bobby Medeiros, a former U.S. Latin Dance Champion, likes to joke that whenever he is in a club in Miami, should a ballroom dancer show up, he’ll leave so as not to be embarrassed. Manny Gonzales said to beware of the International dancer.

"Thanksgiving dinners take eighteen hours to prepare. They are consumed in twelve minutes.

Half-times take twelve minutes. This is not coincidence." ~ Erma Bombeck

Why are all these people saying such terrible things about those to whom dancing - if not a life pursuit - is an addiction as powerful as any drug known?

First, let’s identify this "ballroom dancer." You can usually spot these people right away in a night club. First, they carry their own shoes. Second, some of them will do a few knee bends to "warm up." Then as they take the floor, the man lifts his arms, the girl glides in his arm and they spend one third of the song adjusting their hold.

Next, the man will start visibly counting as he attacks the sought after second beat, like a guy trying to squash a fast moving cockroach. Usually he misses, so he stops, resets and does a restart. Finally, when he finds what he thinks is the second beat (probably anything but) he starts doing the wildest assortments of steps any Latino has ever seen.

These couples throw out their arms with a karate action that would have made Bruce Lee smile, and through the night, they keep bugging the band to play Cha Cha Chas and Rumbas and oh, by the way, how about some swing? What planet did these people come from? *****

"Tie a Yellow Ribbon Round the Ole Oak Tree" By Dawn

Cuban Motion

A subtle but meaningful hip movement achieved by the bending and straightening of the knees with a carefully timed weight transfer. Very difficult for people accustomed to using the upper torso and the arms in dancing. The kids lost a lot of it in the transformation of Mambo to Salsa. Same as Rumba Motion.

Pub's Side Note:

The Limerick packs laughs anatomical

In a space that is most economical

But the ones that I’ve seen

So seldom are clean and

the clean ones so seldom are comical.

Cordoba & Szekley

2011-11-15T18:34:00.000-08:00

Carolyn Noah - Swing Dance Club Hawaii is putting on another workshop covering the Nightclub 2 Step, Hustle and West Coast Swing. If you attended their workshop featuring Buddy Schwimmer, you know how much fun these workshops can be.

On December 3 and 4, the Swing Dance Club will be featuring Robert Cordoba and Deborah Szekley. Who are they? . . . That’s what we said. But, then again, we’re pretty new to the Swing Dance circle and haven’t become familiar with the who’s who in this genre of dance. But, it didn’t take long to find out that this couple is pretty famous. Here’s a link to their website: http://cordobaszekely.com/index.php

In a nutshell, among other notable accomplishments, Robert Cordoba, who has a strong background in Ballroom and Latin, is 7-time U.S. Open Swing Dance Champion. Deborah Szekely is 5-time U.S. Open Swing Dance Champion, with over 25 years of experience, both teaching and performing, Ballet, Jazz, Tap and Swing. With this background, Deborah brings a phenomenal style and presence to social and competitive West Coast Swing.

Together, Robert and Deborah have won numerous titles across the country and are Swing Dance Hall of Fame’rs. They have won the Classic or Showcase Division at every major Championship across the nation multiple times. They have been judges or Head Judge at many championships, including the U.S. Open and U.S. Grand Nationals. Together, they are among the first pioneers to take, teach and perform West Coast Swing exclusively in Europe and in the South Pacific. Pretty impressive resume. If you’re interested in knowing more about them, check out their website.

So, if you’re into this type of dancing, mark your calendars for Saturday, December 3 and Sunday, December 4. The workshop will be held at the Palladium. And, in Swing Dance Club style, on Sunday evening, there will be a social event where you’ll be able to show off what you learned over the weekend. The contact information is provided in their workshop poster. Click on it to enlarge so you can read it. :-) Note: you might need to use the "right click" commands to get an enlarged image under this new format. Also, you can contact Carolyn Noah directly at lindedanceetc@aol.com. Or, call her at the number listed in the poster.

What an action packed weekend for the dance community. Friday, December 2, is the USA Dance Honolulu Chapter’s Winter Ball at the Palladium, with Chicken & Steak Dinner and surprise performances. Saturday, December 3, is Divino Ritmo’s “Neon Lights” Grand Ball at the Sheraton Waikiki Hotel, with all their razzle, dazzle, and glamour! And capping the weekend, after their workshop, is the Swing Dance Club’s Sunday evening social at the Palladium with Robert Cordoba acting as D.J. - sounds like fun!!

And, speaking of Swing Dances, don’t forget this Saturday, November 19, USA Dance Honolulu is having a Hustle workshop conducted by our own local professional, Lucas Jaime. There were lots of GREAT responses to USA Dance’s Nightclub 2-Step, which was also conducted by Lucas Jaime. So, come on down!! Do the Hustle!!

See you on the dance floor.
With Aloha,
Calvin & Debra

Rotary at Dot's In Wahiawa

2011-11-12T10:54:00.001-08:00

Introducing Richard Sun, Haleiwa:

You posted the Rotary fund raiser at Dots tonight. Anyone who didn't fly up there to dance and mingle missed a goodie! Deanie Bates of Aiea Ballroom had mentioned it earlier this week so I rambled on up there to hang with the gang.

"There is one day that is ours. Thanksgiving Day is the one day that is purely American."

It was a fund raiser for Polio and "Fun Raiser" would have been a more appropriate moniker. As usual people started showing up Hawaiian time but by 8 PM the place was 3/4ths full. A lot of faces I hadn't seen before with many great dancers gracing the floor.

LS 34 was the featured band. They have been together for 34 years and their music shows it. Non stop music during the sets and plenty of takers as far as dance. The smooth tiled floor they leave open for dance is actually as good as the dance floor. Dancers spilled over onto it and at times there were maybe 40-50 bodies moving and groovin'.

"Maggie May/Reason to Believe" by Rod Stewart

I'm sure some people who read about this gathering and passed it off as a ho hum affair. Too bad if they did. You know how sometimes you just gotta go on blind faith? Well, this was one of those times 'cause guess who showed up to give an impromptu stand up.....Rodney Villanueva!! OMG, During the second break he got up and did maybe 25-30 minutes of Killing comedy. Can you imagine over 100 people roaring and laughing so hard their faces and tummies hurt? I was wiping tears from my eyes and my throat hurt from laughing by the first 10 minutes. Hadn't laughed that much in years and I laugh quite a bit. Now I wish I had recorded him just to relive the moment. Maybe someone did and will post it on Youtube!

There were calls of hana ho at the end and the band obliged. All in all, what a blessing, what a night! The Oldies and Goodies Band Plays at Dots again tomorrow, Saturday 11/12/11 7:30-10:30 PM.

People if you are looking for a nice fun venue to spread your wings give Dots a try. Tonight I saw Dot's new event Calendar and Wasabi has been added for next week Friday 11/18/11. I wrote to Doreen to confirm.

Happy dancing,

Richard

Pub's Side Note: This is Richard's fourth blog in as many blogs. The hits are definitely there. He now has his choice of where he wishes to Guest Author. He has his choice of one of our four blogs.

Town Dancer, Sunday 6th

2011-11-06T16:30:00.000-08:00

To be an evangeIist is to ignore pedigrees. Good evangelists aren't proud. They don't focus on the people with big titles and big reputations. Frankly, they'll meet with, and help, anyone who "forgets it" and is willing to help them. This is much more likely to be the regular outspoken dancers and not the wheels. The rootzi tootzis are completly oblivious of this phase and of course, in the long run they lose.

"He who laughs last probably made a back-up."

Just read about the Super Ferry plan for a five day dance run around the islands. Leave Honolulu before noon and head for Lihue, Kauai, evening dinner and dance until midnight. Second day over to the Turtle Bay Hilton on Oahu and dinner and dance until midniight.

A little time for touristing on the way. Third day over to Kahalui, Maui, dinner and dance til midnight. Fourth day over to Kona on the Big Island and dinner and dance til midnight. Finally over to Hilo and diinner and dance til midnight. Some of the tired folk could then fly back to Honolulu. Whatta Dream!

Shot down by the island moneymakers.

Then I have heard from a couple sources of a new dance club in the making. I have no idea of what studio they are talking about. But they must have the fans who are disappointed with the old structures. We have to give the dancers what they want, which may be different than what we think they should have. There is plenty of room at the Palladium and they would only need half.

Let us know and we always try to help the dancers, whoever they are.

"Rainy Night In Georgia" by Brook Benton

The season begins with Halloween and does not end until the famous New Year's Eve Bash.

A portion of Ecclesiastes 3

There is a time for everything,

and a season for every activity under heaven,

a time to be born and a time to die,

a time to plant and a time to uproot,

a time to kill and a time to heal

a time to tear down and a time to build.

a time to weep and a time to laugh, a time to mourn and a time to dance.

Announcing HBDA's Holiday Activities!

2011-11-02T23:58:00.000-07:00

Click to magnify posters.

JOIN US!!!!!!!

Pan Pacific 37th Inaugural Ball

2011-11-01T14:04:00.000-07:00

This past Friday, October 28, 2011, the Pan Pacific Ballroom Dance Society had its 37th Inaugural Ball at the Pacific Beach Hotel, Grand Ballroom. There were some formalities early in the evening, with the Installation of Officers for 2012 by Gary Cabato who currently heads the City’s Department of Parks and Recreation. This was followed by the President’s Message, provided by Pan Pacific President, Rudy Luat. I didn’t have my camera out and clicking during this part of the program so I apologize to the Officers, Directors, and Rudy for not having pictures to post.

I did eventually get my camera out and got lots of shots of the dancers on the floor and the special dance performances. The event, which was organized by Ed & Matilda Felix, ran smoothly under the direction of M.C., Michael Goya. Music for the evening was provided by Henry Lee.

There was lots of general dancing and people really seemed to be enjoying themselves. If you enlarge the general dancing collages, you can see some pretty candid shots of everyone who came to support the event.

At around 9:15, after dinner, the formalities, and some general dancing, the performers came on to entertain the guests. First up were Ed and Matilda Felix performing the International Tango. As you know, Ed & Matilda are seasoned performers and they lit up the floor with Matilda’s fiery red gown and a solid Tango performance.

Next to perform were Rolly and Gloria Padasdao. They performed a Bolero choreographed by Yanna Samkova. Gloria acted and talked as if she were nervous before the performance, but once she was on the floor, she performed wonderfully. And, with Rolly’s confidence, they did a great job. Very nice performance by Rolly and Gloria.

Following the Bolero was an International Waltz performed by Ed and Candace Matsuda. Before the performance, Candy looked a bit nervous. Maybe a little more than a “bit” nervous - she could hardly sit still. Ed was more “matter-of-fact”, but I think he felt some pressure too. But, as the pictures tell, they did a great job and should feel very good about their performance.

They had a little general dancing here and there between the performances and I took the opportunity to just click away, trying to capture the mood of the evening. All the general dancing pictures were taken throughout the evening and just thrown together in a hodgepodge collage.

Getting back to the performances, after Ed and Candy Matsuda were Edwin and Charlotte Bugarin performing a lively Cha-cha. Almost everyone in the local ballroom dance community are familiar with Ed and Char. They’ve been dancing and entertaining local audiences for years. They just started amateur competition (about time) and they’re doing great. They competed in Amateur International Latin at the Hawaii Star Ball and took First Place in all dances.

Next to take the stage were Ayami and Angel performing a Salsa influenced contemporary ? type dance entitled Beauty in Motion. Angel has also been dancing for many years and teaching Salsa and women’s styling. Debra and I took our very first dance lessons together (in Salsa) from Angel and Greg Henry.

Last, but not least, was an International Standard Medly performed by the Pan Pacific Formation Team comprised of Eric & Luby Brienzo, Robert & Amy Lau, Ray & Audrey Dang, Ed & Matilda Felix, and Jim & April McConnell. Debra & I haven’t done any formation dancing, but I’m sure getting multiple couples to dance synchronously can be a challenge. The Team did a great job with both the choreography and expressing the character of each dance.

Following the performances, there was lots more general dancing. As the evening wore on, as did our feet, I started feeling a little tired. June and David, and Amy and Neal, who were at our table left before us. Mike and Lori, who were also at our table, changed their shoes and looked like they were ready to go. I nudged Debra and hinted that maybe we should call it a night. Ha! Getting Debra to leave a ballroom before the last song is played is like . . . . . never mind. Veronica and Ed, who were also at our table seem to be hard-core dancers too because they stayed on the floor till the end. Fortunately, by this time, there were only three songs left for the evening. Mike and Lori stuck around and we all left together. It was another fun evening.

With Aloha,
Calvin & Debra

Golf or Dance

2011-10-29T17:51:00.000-07:00

Sidney Kronus, Asheville, North Carolina

My favorite golf partners finally confronted me with "Sidney, what is going on?" Without hesitation I replied, "Friends, there are three good reasons why I would rather dance than play golf. I would rather swing a pretty lady around the floor, especially my favorite partner Carol, than pound a gold club into the ground. Two, the weather does not prevent me from dancing and three, nobody's keeping score."

"The person who gives when they are asked has waited too long."

I am a social dancer because I love it. I enjoy watching competition dancers and I enjoy watching dance teachers do demonstrations with their talented students, but my real joy comes from social dancing. Though dance class can be hard or easy, it is always fun. It is wonderful spending so much more time with Carol. But whether it is Carol, or my favorite 80 year old lady or any of my other neat ladies, I dance with, I dance what I see.

"Music, Music, Music" by Theresa Brewer

I see a sparkle in their eyes, a smile and glow on the face of someone who has left the cares and concerns of the world somewhere else - just for the dance. And I can't help but break out in a laugh when among the many funny things that happen in a dance class, Foster will catch my eye and say, "Use the other left foot, Sid."

"Young At Heart" by Frank Sinatra

Over the years, I have carried any worries and my physical aches and pains to the Golf course and played badly. I carry them to the dance floor and they disappear. Golf is a great game; social dancing is a great life. I don't ever want to lose "my other left foot."

Pub's Note: His wife is Carol.

A Showcase For All Seasons

2011-10-25T14:20:00.000-07:00

Doug Kesler’s Fall showcase - “A Showcase For All Seasons” was held at the Pacific Beach Hotel, Grand Ballroom on Friday, October 21, 2011. The event was full of fun, color, and excitement, that you would expect from one of Doug’s showcases.

Helping Doug, as Mistress of Ceremonies, was Shari Berinobis who everyone in the Hawaii ballroom community knows or has heard about. Her always happy personality kept the spirits high and the program moving at a lively pace.

The food was tasty, the music was good, and there was lots of general dancing to be enjoyed by all the dancers in the audience. Music was provided by Star Pointe Mobile Disco. If you click on the collages and further enlarge them, especially the ones of the general dancing, you’ll be able to see lots of little details and maybe an interesting shot or two of yourself.

For this showcase, Doug had 17 performances, divided into three groups. Some of the students did more than one performance (rather than having two sets of pictures for each performance, for those who did more than one, I’ve combined them into one collage). Adding to the number of performances was Joe Shorba, Owner and Instructor at Koko Head Dance Studio in Hawaii Kai, dancing with some of his students.

I think I got some pretty good shots of the performers. I’m sure they all practiced hard and did their best to show their technique and the character of their dances. I’m not a dance critic, but I think they all did a wonderful job. I think the pictures speak for themselves. I hope you enjoy them.

First up on the evening’s program was Ellen Oster with Mr. Shorba (actually, they were the third performance to take to the floor). Ellen danced a fun and cheeky Cha-cha-cha. She would come on again, later in the evening during Act III, dancing the Swing - again with Mr. Shorba.

Second on the program, (but first on the floor) in Act I, was Ms. Marti Barham dancing the Rumba with David Iwamoto.

Third on the program was Robert Timosko dancing the Fox Trot with Mr. Kesler. Robert came back in Act II, dancing the Waltz with Mr. Kesler.

Fourth were Kenji and Kai Iwasa dancing the Swing to “Let’s Fall In Love”. I don’t know, but they look like they’re already in love. :-)

Fifth was Priscilla Dang dancing a Tango with Mr. Kesler. I’ve never seen her perform before. It was announced that she has been dancing ballroom for only 5 months. She took to the floor like a seasoned dancer. She would return in Act III, dancing the Cha-cha-cha with Mr. Kesler

Closing Act I were Mike Agor and Marcia Sorbo dancing the Paso Doble to “You’re A Grand Old Flag” - a rather patriotic theme - apparent in their costume. But, unmistakably Paso Doble.

More General Dancing

Act II opened with Ms. Colleen Monaghan dancing a Swing with Mr. Shorba. It was danced to the tune of “Cooler Than Me”, and had a lot of “attitude”.

Also in Act II were Mark and Patty Dela Cruz dancing the soft, flowing, and graceful American Waltz.

Mark and Patty were followed by Ms. Debbie Nobler, dancing an elegant and lively Viennese Waltz with Mr. Kesler.

Next in Act II was Ms. Lyla Berg dancing a lovely and graceful Fox Trot with Mr. Kesler.

Closing Act II was April Patricio dancing an American Waltz with Mr. Kesler to the tune of “Silent Night”. April is no newcomer to ballroom dance performances and each year, she gets more graceful.

Act III was opened by Ivan John and Nancy Luckie performing a Waltz to “Sunrise Sunset” from Fiddler on the Roof. Ivan, sporting a yarmulke, looked very proper and proud. Together with Nancy’s grace, it was an enjoyable performance.

Unfortunately, just as I was taking the last shots of Ivan and Nancy’s performance, I ran into technical difficulties. My camera stopped taking pictures. I fiddled with it for a while, taking out the memory card, and battery and replacing them -all during Amy Weber’s performance of a really fun looking Samba with Mr. Kessler, danced to the tune of “In The Summertime”. So, I’m really sorry that I can’t share any images of Amy’s performance. When I got everything back together, Amy’s performance was over and Ellen Ostler had started her 2nd performance. I was able to get three shots of Ellen’s performance and the camera stopped again. I later determined that my battery had not been fully charged. My fault. Anyway, I did get a shot of Amy Weber, earlier in the evening during the Performers’ Lineup. She’s out in front in this shot - with the colorful leggings.

So, in the Final Act, Ivan and Nancy were followed by Amy Weber & Mr. Kesler’s Samba, Ellen Ostler & Mr. Shorba’s Swing, Priscilla Dang & Mr. Kesler’s Cha-cha, and April Patricio’s Bolero with Mr. Kesler.

After a Presentation of Awards, the evening continued with lots more General Dancing. AND, the Bar stayed open until 11:00!!

It was a fun evening.

With Aloha,
Calvin & Debra

The Blog Site

2011-10-22T00:13:00.000-07:00

If Web sites are the Magazines, then Blog Sites are the daily newspapers and most Dance blog sites just furnish information about dancing. The truth is that a blog is hardly the place where you would want to reach for your credit card. Blogs rely on fresh content. It’s evolving in Hawaii that a dance blog should post at least 2 to 4 new entries a week.

"The secret to happiness is to put the burden of proof on unhappiness."

Dancing on the Waianae Coast?

Dance blog reader/dancers visit blogs to get fresh information or insight on topics that are current and important to them. The most interesting are the less complicated ones with enough photos to make it more interesting. Dance Blogs tend to be more opinion-based than Dance Web sites.

"I Just Want to Be Your Everything" by Andy Gibb

And we are working on making them more so. They will not be from only one blogger but from many points of view. The real value of blogging isn't the capability of the tool, but the ability for each and every page on the site, each and every article, to invite and display feedback from readers. This is a dramatic difference because it changes a monologue, a "brochure," into a dialogue with reader/dancers.

Indeed, often the most compelling reading on a Weblog are the comments that others leave and the debate that often ensues as people add their two cents and disagree with each other. We have yet to see much of this in our Hawaii blogosphere because most of our reader/dancers are very polite in public. It will take some time to be recognized and used in Hawaii.

"Safety Dance" by Men Without Hats

While there are no laws stating that a site must have certain capabilities to truly be a Weblog, it is nonetheless true that most blogs allow comments, time stamp their articles, show them in newest-to-oldest order, and are not forcing anyone to revisit the site with any sort of frequency.

Summing it up, none can really totally replace the other and both blogs and web sites have their individual very important key roles to play in the marketing success of any dance organization in Hawaii. Dance Web fans think in terms of the old fashion, "instead of" where as Dance Blog fans think in terms of current fashion, "in addition to." The more publicity the club gets the better, especially if it's free.

"Dance, Dance, Dance" by Beach Boys

Does it matter? Who knows? The Shadow knows. (anyone remember that one?) The counter is still your best bet, or you may be just beating your gums. Just don't get into "Store Bought Hits." More differences? You bet!

And as our readership grows, (they are our most important faction,) more reader/dancers will become aware of the differences. The blogs will naturally increase in number. And with counters we will all know which way is the flow. For those that can't cut it, it will be obvious that they are doing no one a favor.

Halloween:
Q. Why is a ghost such a messy eater?
A. Because he is always a goblin.

Update on Ballroom Dance Events

2011-10-19T20:16:00.000-07:00

Just got an email from Glenn Okazaki, President of USA Dance, Honolulu Chapter, announcing their November Dance - “Autumn Ti Leaves”. It’s their monthly dance and is free to members. Hope to see you there. Here's his message:

Hi All,

Our November Dance is right around the corner! Be there for our ‘Autumn Ti Leaves’ dance on Saturday, November 5 th. We have half the Palladium on the Kitchen side. Autumn Leaves are falling, but not our Ti Leaves, they KEEP DANCING!! Dancing to our Dee-J GaryK’s , greatest selections and hottest sound system. Don’t forget our ‘ONOLICIOUS’ snack to compliment the evening. ALL FREE TO MEMBERS!!!!!! YYYYEEEEAAAHHHHHHHH!!!!! We care about our members and in appreciation, give back to you, our members, for being loyal members of USA Dance. ‘SHAKAAAAA’ Bring your friends to join us for the evening and let them know of the great benefits USA Dance has to offer. $25 for membership per year (Nov 2011 to Nov 2012). From Nov. 2011 to June of 2012 we have already scheduled approximately 5 free dances for our members. That’s only half the year and already you will have gotten your value from your membership with us. Just imagine the second half of 2012… MORE FREE DANCES FOR MEMBERS!!.. Non-members admission is $5.00.

This has been an advertisement from USA Dance Honolulu and not paid for by anyone. It is FREE… :-) So please forward this email to your fellow ballroom dancers, of the great membership deal we have. See you at our ‘Autumn Ti Leaves’ dance.

Glenn Okazaki
USA Dance Honolulu

Coming up this Friday is Doug Kesler’s showcase entitled “A Showcase For All Seasons” at the Pacific Beach Hotel Grand Ballroom. I’m sure it’s going to be a fun showcase. If you’ve ever been to one of Doug’s showcases, you know that he goes all out to entertain you. Don’t know if you can still get tickets, but if you’re interested, give Doug a call.

The following Friday, October 28 is Pan Pacific Ballroom Dance Society of Hawaii’s 37th Inaugural Ball, also at the Pacific Beach Grand Ballroom. For those of you who didn’t know, the Pan Pacific Ballroom Dance Society of Hawaii was founded by one of our local professionals, Mr. Akiyoshi Sugino in 1975. If you don’t have anything planned for October 28 and would like to enjoy a buffet dinner and some good dancing, contact Pan Pac. Their contact information can be found through Ki’s website: http://www.dancefeveroahu.com/ . Just look at the top of the page and you’ll see all the local dance clubs listed with links to their websites.

Also, for further down the calendar, tickets are already being distributed for USA Dance’s Winter Ball which will be held at the Palladium on Friday, December 2, 2011. This year, the ticket is only $10. This is a ticketed event, so members also pay. But, what a deal. For the $10 you will get a few surprise shows that are guaranteed to entertain you, great music for LOTS of general dancing, AND, a Chicken & Steak Dinner!! The chicken and steak dinners will be available only for pre-sale ticket holders. No dinners for people who pay at the door (but there will be a second snack for everyone). Sound good? Get your tickets early.

Hope to see you on the dance floor soon!
With Aloha,
Calvin & Debra

The Web Site

2011-10-17T00:09:00.000-07:00

There is a difference between a Web Site and a Blog Site.
But then everybody knows that. Let us try, how.

"Tranquil pleasures last the longest; we are not fitted

to bear the burden of great joys."

Dance Web Sites are the equivalent of Magazines in the Pubishing fields and are more into sales. The sale of their club or other dance organizational functions. Dance teachers, dance parties, dance lessons, workshops, showcases, festivity dances, shoes and dance costumes.

They usually have the info on the top brass easily available. Monthly and even yearly schedules, photo and video albums, club history and other pertinent information of potential interest to their reader/members.

Dance Web site members come to a site to look for specific information. That information does not need to be new. It just needs to be what the reader/dancer is looking for and they are usually subdivided into a number of complicated pages.

"Sh-Boom, Life Could Be a Dream" by the Four Aces

These tools allow dance clubs to create beautiful sites with compelling content, but they don't allow neophytes or non-technical people to maintain content or add new content. They tend to look down on Bloggers and blogging.

But even with these sophisticated tools, most Web sites are static creations and most dance organizations view their Web sites as digital brochures. It's very rare for a traditional Web site to be updated more frequently than once every month or two.

The Blog Sites are next on the blog agenda and of course, you already know that they are much more current and that we are still seeking the elusive Information Contributor.

Halloween:
Q. What did the skeleton say to the vampire?
A. You suck.

Line dancing, remains as the best place for a person to get their "street" dancer smarts. We have on the ultra beginners side, just walking to the music, zombie like. On the other extreme are those that are shaking their heads, shoulders, hips, legs, feet and toes. Somewhere in between is the real Universal dancer coming through, who is completely enjoying the movement to music, “in the correct way,” that is the natural way and they are never stuck together at the second rib.

When they get into ballroom dancing they have it made in the shade, they are dancers. Da Reel Teeng.

The Learning Process

2011-10-15T00:18:00.000-07:00

Evangelism 101:
Let people test drive the cause. Essentially, say to people, “We think you are smart. Therefore, we aren't going to bludgeon you into becoming our customer. Try our product, tune in when you want to, download anything from it, and then decide if it's right for you.” A test drive is much more powerful than an ad when you are selling something, And what we are selling does not cost you anything.

"Just as a cautious businessman avoids investing all his capital in one concern, so wisdom would probably admonish us also not to anticipate

all our happiness from one quarter alone."

Dance Web sites or dance Blog sites, they are very much alike. They are both published on the Web and can be read with any Web browser. This gives them the same basic look and feel and similar user experiences. Many Web sites built with blogging software can look and feel just like a blog, even if that’s not what they are intended to be.

"Young At Heart" by Frank Sinatra

Both Web and Blog sites depend on good, useful content. Web site visitors and Blog readers come to read content. If the content is good and meets their needs, they’ll be back for more, again and again. Witness Calvin's blogs in Town Dancer, the hits go through the roof. If the content sucks, they won’t. Simple? How can one know with either one? Also simple, - with a counter and on Blogger it is free. Of course, they also give you a lot of other stats with it too, free.

But are they different? Oh boy! - Wow! - Yes! And I will need to explain how they are different, later.

There are no swear words in the Indian languages of Central America. Of course the Spanish have always been curious and they will always ask.
"What if you are hammering on a nail and you accidently hit your thumb?" The answer is always the same. "Then we use your language."

Pub's Side Note: In a Web site you can do quite well with one person running it. In a Blog site you can always use another viewpoint.

So What Snew?

2011-10-10T00:21:00.000-07:00

From the Dancing News:

Judging
Competitions in objective arenas is good
Competitions in subjective arenas is bad

Quotation, ten years ago:

"For the smooth dancers, this introspection has proven very beneficial (in my opinion), because for the last 3 to 4 years, we have been trying to move it in a different direction which makes it more unique. Thanks to the contributions of the likes of David Hamilton, Olga Foropanova, Toni Redpath, and Nicholas Kasovich (to name a few), American Smooth is much more than just International Standard with occasional open moves. It now has a totally unique look and feel which is anything but Standard.

"American Rhythm, on the other hand, seems to still be moving in a direction closer to its International counterpart. So in a way, I tend to think that it's a few years behind smooth. But then I'm not sure what direction would be a good one for it to go in, since for obvious reasons, it can't do the same thing that Smooth did."

Another:
"The only thing that can save American Rhythm is moving away from International and closer to the original roots."

“The winners in any competitions were for that time, that day

and that place. Nothing in life is guaranteed or permanent

except death and taxes.”

I am going to need some help from some computer guru out there. I have been trying to copy a dvd to my laptop computer so that I can leave the external dvd drive home. The free programs give me a hard time and don't do the job.

I bought an external dvd drive so that I don't wear out the drive on the laptop. The cost for laptop drive, $50 and Labor $50. For most of you that's peanuts but not for me. My external drive set me back $30. And if I can get the dvd on the laptop I won't need an external drive.

Now how do you like them potatoes?

"Stranger In Paradise" by the Four Aces

In 2001, President Clinton handed George Bush a projected 10-year budget surplus over $5 trillion. Bush and Cheney turned Clinton's surplus into a $5 trillion deficit through outrageous tax cuts for the rich, and (who were responsible for the financial crash that has now caused the Great Recession) and two ongoing disastrous wars.

And we are going to vote for this stupid Tea Party again?

Pub's Side Note: Check out Tim's blog on Kapolei Chapter - HBDA Social in Platinum Corridor. That is a blog that am a blog. Featuring a lot of good people so the hits will go through the ceiling.

Ballroom Dance Update

2011-10-06T22:40:00.000-07:00

Well, the greatest ballroom event in Hawaii, the Hawaii Star Ball has come and gone. I know some people were waiting for a blog or Facebook postings. Unfortunately, Geoffrey didn’t allow private photographing of any of the events during the Hawaii Star Ball. So, I don’t have any pictures to share with you, other than a group shot of just a few fellow competitors taken in the Ballroom after the event was over. If you want to know the competition results, you can go on-line and see them for yourselves, so I don’t need to blog that.

You really can’t blame Geoffrey for such a rule. After all, the Star Ball is a commercial venture. Geoffrey’s not a charity. He’s got costs to cover. And, it would be nice if he made a little profit for his efforts. All I have to say is that he did a great job this year and the attendance was quite nice with more competitors from the mainland and Japan than last year. We hope this is an upward trend that we will see continue next year.

This weekend, there are two full-ballroom events at the Palladium. On Friday evening, USA Dance, Honolulu Chapter is having their “Harvest Ball” and Pan Pacific has a full-ballroom event on Saturday evening. Most of you already know that Debra & I are on the Board of USA Dance, Honolulu Chapter. So, I hope you don’t mind that we throw in a little pitch every now and then for our events. If anyone from any of the other clubs would like to post a blog, catch us at the Palladium and let us know. We'll give you our email address and we'll post it for you.

All the dance clubs have gotten their Palladium schedules for the rest of the year and into next summer. Most of the Clubs, including USA Dance, received ballroom time for every month. Here’s a tip. USA Dance, Honolulu Chapter, has decided that all ballroom events (with the exception of ticketed events - like our Holiday Ball and Anniversary Ball) will be FREE to all members. That’s right - no charge to members. That includes this Friday’s Harvest Ball which is a full ballroom event.

The annual membership fee for USA Dance - for social dancers - is only $25. That gets you a membership in the National organization, not just Hawaii. There are Chapters all over the U.S. But, most importantly it will get you into all our monthly dances (except for the ticketed ones) free. And, it will get you significant discounts at all our workshops and classes we have during the year, including the workshops put on by the visiting professionals. If you’re not already a member, you can join during any of our events.

The Harvest Ball on Friday will feature a short, entertaining Latin exhibition by a select group of our younger students, in the K-12 group. We also heard that the Club may be raffling off a couple of coupons for our upcoming workshops. Hope to see you there.

Here’s a little testimonial from a couple who enjoys our dances. You may have seen it previously posted on Frank’s blog. It’s such a positive comment that we wanted to post it too.

September 23’s USA Dance social at the palladium started off with a “bang” … and it never stopped! Really … the music was awesome, from the very first dance to the last … and we honestly did not want to go home. I remember Warwick telling us once that the music is your third partner … and boy, did we have a great third partner that night! It was definitely a night to remember. Thank you, DJ Gary Kawasaki … you “ROCK!”

It was also nice to see some of the contenders to the Hawaii Star Ball “strutting their stuff” that night, getting ready for the grueling week ahead. They all looked great!

And by the way, we just heard there’s another fun dance scheduled for this Friday, October 7 at the palladium. Please don’t miss out, okay? It’s guaranteed to please!

Carl and Gayle

I think that says it all. If you miss the Harvest Ball on Friday, but you can make Pan Pacific’s dance on Saturday, we’ll probably see you there too.

If you can’t make either event, we hope you have a great weekend, whatever you may be doing.

With Aloha,
Calvin & Debra

p.s. The top picture is from a previous Hawaii Star Ball - when Geoffrey allowed picture taking. :-) And, the keiki's in the lower picture are USA Dance competitors at a Regional Competition (No, they're not the kids performing on Friday. But, Friday's kids will be great too!)

Coming Up For the Holidays

2011-10-05T10:51:00.000-07:00

"Those who reject change are the architects of decay. The only human institution which rejects progress is the cemetery."

First on the Agenda in October are the Halloween dances. It will be unfortunate for the dancers in the groups that don't take advantage of the hype for their members.

Towards the end of the month would be most appropriate with of course, Saturday, the 29th, Sunday the 30th and Monday the 31st being the best days for costume wearers this year. And we should have many more fun days like this.

"Dancing In The Street" by Martha Reeves And The Vandellas

Thanksgiving dances are always a must, however must never occur on Thanksgiving Day which always falls on Thursday. That is very convenient. The dance groups can hype before and after Thanksgiving.

Interesting to note that I heard a rumor of a new dance club to be formed in town based on "Social Dancing." If it is fairly successful, it will be the death knoll of a couple of clubs that are holding on by a thread. But we must face it, if the time has come. The "common" dancer remains numbah one.

"Let's Dance" by David Bowie

Then almost immediately after Thanksgiving begins the hype from everyone interested in making a buck for Christmas. There will be Christmas dances from all the clubs and dance groups throughout December.

One of the most memorable will always be the Holly Jolly Trolley Ride of the Dream To Dance Studio. And since Christmas falls on Sunday, 25th and Christmas Eve is on Saturday, the last Christmas dance will probably be on Friday, December, 23rd.

After that it's get ready to party for the New Year's dances and there will be plenty of those. The most popular of course will be in Waikiki if the price is right. This social dance community is beginning to roll again.

Pub's Side Note: For more dance information which we are not able to acquire, tune in to Frank's blogs, That's Dancing and The Dance Connection. And get Mary Beth's Newsletter which she sends out regularly.

Rolling Along, peaceful and calm

2011-10-01T10:40:00.000-07:00

Just finished the stats for the month of September and things are developing so smoothly I could pinch a grape. My estimate with the stats at hand are that all of the blogs in our dance community add up to more than 12000 hits per month.

"Those who expect moments of change to be comfortable and

free of conflict have not learned their history."

As the year end holidays approach, things get clearer. In exchanging comments all over with others that are aware, the best thing has been the newer emergence of the different styles of dance that have been evolving over the last 80 years of Ballroom Dance on this Island.

The introduction of new styles to the original social ballroom dance scene led everyone to believe they were all dancing BALLROOM. Naturally, the ones at the "top levels" would tend to look down their noses at the "lesser levels." Who hasn't heard the term "junk dancer?"

The definition which has been slow in coming, is certainly becoming clearer. Whatever you prefer to call ballroom dancing, it is definitely divided into two divisions.

"My Cup Runneth Over" by Max Bygraves

One that, overwhelming in sheer numbers, is purely social and mainly involves natural movement learned on the social dance floor with plenty of help from amateur instructors. They have learned to dance among members of their kind of dancing to the music of their choice.

Many have developed into terrific dancers with a natural flair and feel for the music. It involves in the main, what everyone considers themselves, beginners, intermediates and advanced and no one makes that decision for them.

"Let's Face The Music And Dance" by Nat King Cole

The Performance division consists of specialists, they are meant to be seen and are considered "Show Business." It consists of several subdivisions; competition, exhibition, cabaret, and acrobatic dancers and there may be others. And each has a rhyme to their reason. Another necessary subdivision of the "to be seen," group, is the performers on one part and the spectators on the other part. Many of the spectators not being dancers of any kind. But the spectators are a must, since the days of the Olympics in Greece.

Since most of us are social dancers, we must constantly seek venues where they play our kind of music and the dancers on the dance floor are our kind of dancers. The members of the other divisions already have plenty of places where they can dance with their own kind. And they will feel much better about it. Fortunately the places we seek require much less room. One third the size of the Palladium would be just beautiful. And these places are coming to the Western part of Oahu and we're going to dance.

This Week’s Ballroom Dance Activities

2011-09-27T14:00:00.000-07:00

As you know, this is Hawaii Star Ball week. It begins tonight with a welcome reception and the competitions and evening events start tomorrow, finishing on Friday. If you haven’t gotten tickets and would like to attend, I’m sure Geoffrey Fells will be happy to accommodate you.

For you American Smooth dancers, don’t forget tonight’s workshop on American Smooth Waltz by the current U.S. Champions, Slawek Sochacki & Marzena Stachura at the Palladium.

The workshop starts at 7:00 p.m. Info on this workshop was posted in my previous blog, below.

In that blog, I also mentioned an International Foxtrot workshop that is coming up. That workshop will be this coming Saturday, October 1, 2011 and will feature British instructor, Garry Foster. Garry Foster, among other accomplishments, is a former Amateur Blackpool Finalist (which means he was pretty darn good). This workshop will be on basics. You will receive pointers on how to move together smoothly with a partner. It is intended for all level dancers - from the beginner to the more advanced - for both social dancers and competitors. The information on this workshop is on this poster provided by USA Dance, Honolulu Chapter. Click on it to enlarge.

All you ballroom dance enthusiasts - social dancers and competitive dancers alike. Do you know that there is ballroom dancing available at the Palladium during week days - from noon? I’m sure many of you already know about it. It’s been going on for years. Anyway, for those of you who don’t know about it, it doesn’t cost you anything and, if you have nothing better to do, or would like to get in some practice, this is a great opportunity.

That’s it for now. Gotta keep it short. It’s a very busy week for Debra & I - getting our work done, getting our practice in, and competing on Thursday. I'm sure there are other ballroom activities going on this week. If you are aware of them and would like to post information about them, please contact Joe Martel, our Blogmaster. We could use more contributing authors.

Hope to see you at one of these activities this week.

With Aloha,
Calvin & Debra

Planning Our blogosphere

2011-09-24T00:40:00.000-07:00

It is moving in the right direction but ever so slowly. Actually, it is only right, it gives people more time to think things over and then it proceeds or not depending on the majority of the people.

"You do not have to wait for leaders; sometimes you have to do it alone"

At Punahou, anyone ever dance there?

After testing my Ubuntu Operating System in copying DVDs, I have seen Shall We Dance in the Japanese version and also the American Version. Let me say this here and now, my faith in the competitive world has been reinstated.

If I am still around I will help all I can in the coming set ups for competitions in the new Dance Pavilion at the Patsy Mink Recreation Center. Hopefully our people will make their own rules, and not let the "ultra big organizations" get in and "red tape" the hell out of it.

"Flashdance… What A Feeling" by Irene Cara


Much better at Maili Beach Park

And yes, there are people out there that think they have invented something new. They think they are so brilliant, and they just betray their ignorance. All of these movements have been done at some time, somewhere, including partner dancing.

There are at least 600 documented step movements in Waltz. How about Rumba? or Mambo? You know anyone who knows them all? Oh yes, you have got something new. Just because you have never seen the movement does not mean it has never been done.

"She Said She Was A Dancer" by Jethro Tull

Honokai Hale?

As professionals, the Indian civilizations made many movements which were unnatural, for the sake of the exhibition. And it still occurs today. But early on they established a difference in dancing for the pure enjoyment of moving to the music of the occasion or doing it as a performance for an audience.

We are gradually learning that dancing for fun is a far more natural way of movement than the prescribed methods by professionals. They are not wrong, they simply have a different agenda and we should all understand that.

The natural rebellion against structured dance occurs with the young and they are constantly acquiring "new" movements, "new" dances and "new" music and these fads all come and go. We should accept it with understanding and even join in if looks like fun. It will soon pass.

American Style Waltz

2011-09-20T20:12:00.000-07:00

Attention all you Smooth (American Style) dancers !! USA Dance, Honolulu Chapter is having an American Style Waltz workshop conducted by the current United States Open Professional Smooth Champions, Slawek Sochacki & Marzena Stachura !! It is short notice. The workshop will be held next Tuesday evening at 7:00 p.m. at the Ala Wai Golf Course Palladium. The cost is only $20 for USA Dance members and $30 for non-members.

Here’s a message from the President, Glenn Okazaki:

Aloha, USA Dance is proud to present, two great workshops starting next week. American (Smooth) Waltz on Tuesday evening Sept 27, and International Foxtrot on Saturday afternoon October 1st. To all you smooth dancers out there, this is your opportunity of a life time. Come and learn from the best of the best. Our first workshop is American Smooth Waltz with Slawek & Marzena, United States Champions. It is not often that you will receive the opportunity to learn from Champions. During this exciting one and a half hour of American Style Waltz, Slawek and Marzena will introduce a short amalgamation and work on it to improve your style, movement and technique. Cost is $20 for members and $30 for non-members. See attached poster for more information.

Slawek Sochacki and Marzena Stachura placed 1st in the Dance Sport World Cup Open Professional American Smooth category at the Embassy Ball in Irvine, CA, USA., held just a couple of weeks ago. From there, they went to Florida and competed in the United States Dance Championships, taking 1st place in the U.S. National Professional American Smooth Championship. Slawek & Marzena are at the top of their field. If you compete in American Smooth, or have any interest in this style of dance, there should be no excuse for missing this workshop. This is for all dancers - social dancers, competitive dancers, first-timers - everyone is welcome.

Some interesting background facts about this couple. They are originally from Poland. They started out as International style dancers. They were International Style 10-Dance champions in Poland. It was only recently that they started training and competing in American Smooth. Now, they are the Champions. Check out a short video clip of the Champs. http://www.youtube.com/watch?v=BPF1R1MQtIg

And, here’s a bonus. It’s not mentioned on the USA Dance poster, or in the President’s message. But, I have it from reliable sources that - this coming Saturday, September 24, at the USA Dance, Honolulu Chapter’s monthly dance at the Palladium - there will be a drawing for 2 (two) free coupons for the Slawek & Marzena workshop, compliments of USA Dance.

Hope to see you at the dance on Saturday and at the workshop, Tuesday evening.

With Aloha,
Calvin & Debra

ps Glenn mentioned a second Workshop in Foxtrot. More info on that in an upcoming blog.

Blogging

2011-09-18T00:05:00.000-07:00

I just read Frank's blog and in my grizzled old age, I must say I was touched. However he missed a few things. He is the one that discovered the secret of blogging. He already had two blogs, when I met him and I learned from him.

"When you're really happy, the birds chirp and the sun shines even on

cold dark winter nights - and flowers will bloom on a barren land."

The father of blogging on these islands is Frank. Of course, we all go our separate ways and learn different things and it is normal. I started out too much in "niche blogging" which is specializing. He had a much wider spectrum, and which I later found out is called "content blogging." Today most of us are into content blogging.

The neighbor islands are beginning to develop their own blogs too. However if they are too much "niche blogging" (like for their club only,) they are dead. With a counter you can see how many people are tuning in to you and your fellow blogger's words.

"Let's Dance" by David Bowie

The one very good thing is that none of us are experts at blogging and we can sure learn a lot from each other and that's the point. One thing I want to see is the development of a completely independent blog of several Contributing Editors. Town Dancer so far been unanimously elected. They have the most hits. The "junk" blogs are mine.

To make a long story short, I want to say to Frank, Gracias which of course, he knows enough Spanish to understand it is not enough. I could say Muchas Gracias, and it may make him smile a little. In these case I must say, Muchisimas Gracias. (no translation necessary) Regards to Lani, and Love to all.
Pepe

Update

2011-09-16T16:55:00.000-07:00

Everything flowing smoothly for this blog but I don't intend to keep it that way. I must get more information contributors. I get a few, now and then, that state, 'I will make this one, but I don't want to make any commitments." Fine, I am glad to get what I can. And I understand how they feel, but I must continue to look for steady information contributors.

"Happiness always looks small while you hold it in your hands, but

let it go, and you learn at once how big and precious it is."

Photos have become very important, but many do not wish to share with their fellow dancers. So be it. So now I must also postpone much of this because my camera gave out. I dropped it and apparently that is causing the blurry photos. I just ordered another exactly the same, (I know many of the instructions) so I can start more or less on the ground running.

Anyone that wishes to fix a Kodak digital camera, C142, can have it for the asking. I can see the photos fine in the lc screen but not on the pc screen. Recommendation is to have it fixed by a professional. Meanwhile the action on the blogs will slow down until l get the new camera.

"Dancing On The Ceiling" by Lionel Richie

From the Dance Book: The techniques used in American style and International style are not the same. American style features open work, under-arm turns, open extended lines, etc., while International style requires a close proximity of the partners at all times.

The International uses the concept of a "common center" which allows for a three- dimensional body action in unison that does not quite work for American style. American is more for "feel" whereas International is more for "looks."

Throughout the world dance has been for how it felt moving to the music and the rhythms. The dances differed where the people differed in their feelings. When any "correctness" was stated, it was qualified as to the dance. Not until lately has the qualification been dismissed.

This Space Ship Earth

2011-09-12T18:20:00.000-07:00

I have been on board this Space Ship Earth going through the Universe for some time. Today Monday, September 12, I completed my 86th trip around the Sun. And unfortunately or fortunately as the case may be, there are not too many trips left.

From the Rubaiyat by Omar Khayyam,

a millennium ago.

Come fill the Cup, and in the fire of Spring

your Winter garment of Repentance fling:

The Bird of Time has but a little way

to flutter - and the Bird is on the Wing.

Whether at Naishapur or Babylon,

Whether the Cup with sweet or bitter run,

The Wine of Life keeps oozing, drop by drop,

The Leaves of Life keep falling, one by one.

As the Indians in Central America say,

"I think I will have me a little Nectar of the Gods."


Doctor says, one glass per week. I can live with that.

One of the good things is that I remain an Evangelist and yes, I realize that most of our readers are not too familiar with the modern term Evangelism. First thing we must have is the "Love of the cause." An evangelist isn't simply some kind of job title, it's a way of life. It means that the evangelist totally loves the product and sees it as a way to bring the “good news.”

A love of the cause is the second most important determinant of the success of an evangelist--second only to the quality of the cause itself. No matter how great the person, if they don't love the cause, they cannot be a good evangelist for it.

"How High The Moon" by Les Paul and Mary Ford

My thanks to the greatest blogger we have, Calvin Ota. I am certain that we have no one that will dispute this. If anyone out there can do only half as well, you will be just fine. The reader/dancers need you.

My thanks also to the greatest information contributor that we have Tim Cubero Jr. He comes through like a champ regularly. With a few more like him, Platinum Horseshoe hits will go through the roof

Opinions are like noses, everyone has one. Yours is as important as anyone else's. How about sharing it with your fellow dancers? And the Contributors will be small, medium and large, but everyone still important.

"Sh-Boom, (Life Could Be A Dream)" by the Chordettes.

When I was a kid I could toast a marshmallow on my birthday candles. Now I could roast a turkey. Have a nice millennium everyone.

HBDA's 52nd Anniversary and kokua Aikane Fundraiser Go Hand in Hand

2011-09-08T17:42:00.000-07:00

Scenes of HBDA's 52nd Anniversary Ball and Kokua Aikane Fundraiser

HBDA's 52nd Anniversary had been celebrated last month while this month, HBDA has presented its annual Kokua Aikane Fundraiser at the Palladium on September 3. These proceeds go to schools and recreation facilities that HBDA uses for dance classes.

Always showcased yearly at these two events are the students' dance formation teams representing their various chapters or a combination of Chapters. Rotating instructors take charge of choreographing the dances, running the training and rehearsals, and planning the costumes at least three months or more in advance. Dances represented by students this year included the Rumba, Tango, Samba, Peabody, Waltz, Paso Doble, Swing Hustle, and Bolero.

Eleven formations teams danced at the Anniversary Ball, and 9 teams danced again for the Kokua Aikane Fundraiser. Adding flair to the fundraising program were guest dancers: Dr. Robert Schiff and Professional Renna Villanueva in an International Rumba; Marie Laderta with Professional Lucas Jaime along with Dr. Paul Laderta with Professional Yanna Samkova in a Medley of Latin, Standard, Rhythm, and Smooth to "Alegria," a Show Dance.

Acknowledgement and much thanks and appreciation go to: District IV Assistant Dance Director Eugene and Melanie Higa; lead hosting Kailua President Wayne Hikida; assisting hosting chapters, Kaneohe President Adele Kim, Kalihi Vice President Bryan Kinningham for set up, closing up, reception and dining tables beautifully adorned with ti leaves and flower centerpieces by Kathy Hikida; Subway sandwich bentos ordered by Assistant Dance Director Melvin Camat and Rotating Instructor Susan Masumoto; Music DJ Henry Lee and his partner Jane Umeda coordinating the music for practice and the dance program; Telemark Instructors, members, families and friends of HBDA for a successful event at the AWGC Club House Palladium.

Scenes from the 52nd Anniversary Ball and Kokua Aikane Fundraiser

Jack Legal - Ubiquitous MC

Gail Tiwanak- HBDA President

Gary Cabato, Parks and Recreation

Celebration with Anniversary Cake with Life Time Members Recognized

East Hawaii Chapter - Waltz

Kalihi Chapter - Medley: Tango, Rumba, Swing Hustle

Royal Chapter - Samba

Pearlridge Chapter - Tango

Aliamanu Chapter - Rumba

Manoa/Kaimuki Chapters - Medley: Peabody/Samba

Kaneohe Chapter - Bolero

Mililani Chapter - Rumba

Ala Wai, Beta, Kaimuki International Chapters - Paso Doble

Aiea Chapter/Ala Wai/Kailua/Kaimuki Chapters - Rumba

Dr. Robert Schiff and Professional Renna Villanueva - International Rumba

Marie Laderta with Professional Lucas Jaime, and Dr. Paul Laderta with Professional Yanna Samkova - Medley of Latin, Standard, Rhythm, and Smooth called "Alegria"

Also of note were East Hawaii's Chapter's support to "Dancing with the DJS" with choreography by Telemark Instructors, Mel and Cynthia Chow, Andy and Joyce Iwashita as well as Chapter Officers. Members partnered in solo routines with the DJs in exchange for advertisement and publicity for HBDA Dance Classes on the Big Island. All proceeds were donated to Aloha United Way.

Upcoming Events:

Social Night, Saturday, September 10, 2011, 6PM to 9:35PM, Aliamanu Middle School, 3271 Salt Lake Blvd. Free for HBDA members with current quarter’s student card, Telemark and Lifetime Members. All Others: $5, Hosting chapters: Aiea, Ala Wai, Aliamanu, Kailua, Kaimuki, Kalihi, Kaneohe, Kapolei, Manoa and Beta Chapter for set up at 6PM. Social and Line Dancing music by DJ Henry Lee with coffee and water provided by HBDA, voluntary potluck!

CENTRAL MAUI 22ND ANNIVERSARY BALL, Saturday, September 10, 2011, Maui Beach Hotel, Elleair Ballroom, Cost: $45, Chinese Buffet, Attire: Semi-Formal, coat and tie, Time: 5:30PM to 10PM, Solo and Group Exhibitions, social and line dancing. For tickets and more information, contact Assistant Dance Director Jeffrey or Lydia Dela Cruz, 2443263.

Ohana Night, Friday, September 16, 2011, 6PM to 9:35PM, AWGC Club House Palladium 2nd Floor, 404 Kapahulu Avenue. Free for HBDA members with current quarter’s student card, Telemark and Lifetime Members. All Others: $5, Hosting Chapters: District IV Assistant Dance Director Eugene and Melanie Higa, Lead Hosting Kalihi President Mark Kitamura, Kailua President Wayne Hikida, Kaneohe President Adele Kim with Social and Line Dancing Music by DJ Henry Lee. Coffee and water provided by HBDA

Town Dancers, Ed & Char, at the Embassy

2011-09-07T19:06:00.000-07:00

If you’re a local dancer who frequents the Palladium, I’m sure you’re familiar with Edwin and Charlotte Bugarin. They’re one of our favorite couples and Debra, especially, has been encouraging Ed to enter a dancesport competition. We know Charlotte’s wanted to compete. But, Ed had always been hesitant. He’d tell us that he just gets way too nervous - even during the many performances that Ed and Char have done over the years. And, you wouldn’t be able to tell, from watching their performances, that Ed was so nervous.

Well, this past weekend, Ed finally took the plunge. Debra and I were surprised and excited that Ed had entered the Embassy Ball competition in California, with Charlotte. Wow, Ed & Char are competing at the Embassy !! A lot of good dancers show up there and it can be a pretty tough comp.

We checked for the competition results and we were again surprised and excited (more excited than surprised because we know Ed and Char are pretty good dancers). Ed and Char competed in the “Senior” (over 35) Latin Open Amateur Championships. They didn’t start on the ground floor in one of the syllabus categories, or in Novice. They went straight to the top, to the Championship level - that’s the highest level in competition. They could be competing against couples 15 years younger. And, they came in 3rd Place.

That’s pretty darn good. I think that is the best that any amateur couple from Hawaii has ever done in Latin - at least since Debra and I started ballroom dancing. (If there’s some other couple from Hawaii competing at the Open Amateur Championship level in Latin, please let us know - we’d like to meet them.) Next time you see Ed and Char, give them a pat on the back or two thumbs up - they deserve it.

Way to go Ed & Char! Awesome!! And, kudos to you too Carlos Chang for coaching them and encouraging them to compete at the top level.

With Aloha
Calvin & Debra

ps We know that there were other couples from Hawaii who went to the Embassy Ball to Compete. We also know that some of them prefer not to be mentioned. Debra & I didn't go to the Embassy Ball. So this blog really isn't about the comp. It's just our way of giving Ed & Char some encouragement. They've always been good to us.

HBDA FUNDRAISER

2011-09-07T18:15:00.001-07:00

This past Saturday, at the invitation of Mike & Lori Chun (Kaimuki Chapter), we attended the HBDA fund raiser dance at the Palladium. It was a particularly interesting and entertaining event for me because I didn’t have my camera with me. So, I actually got to see all the performances, with both my eyes - pan-a-vision. I’m usually looking through the viewfinder on my camera and I didn’t realize how much I was missing - particularly with the formations.

In true HBDA style, the various Chapters put on their formation exhibitions. As I watched one Chapter after the next, I began to appreciate the thought and effort that goes on behind each formation performance. The first thing that catches your eye is the costuming. Certainly, it takes time and effort on the part of the costume designer and everyone involved in the final decision on a group design. The costuming has to fit the character of the dance and it plays a big role in the expression of the dance. And, someone has to pay for all the costuming and it’s probably not cheap, and some of the costuming was pretty elaborate - impressive!

Then, there’s the choreography. How to get 5, 10, or more couples to move synchronously and portray a character of a dance in a pleasing manner. When it’s done well, it’s almost like looking through a kaleidoscope - couples moving in, through, around, away from, toward each other, often separating and changing partners only to reunite later in the choreography. As I sat there and watched each Chapter put on their performances, I was quite impressed with their creativity and I could only imagine and chuckle thinking of the many hours of practice and frustration it must have taken to get everything right. Chuckle, only because I can relate to many hours of practice and frustration Debra and I go through to get a dance somewhat presentable - and it is never ever perfect - not even close. :-)

When we watch the formations, we can’t help but look at the individual couples. It’s only natural. And, sure, we can catch a glitch here and there - I’m sure that happens even among top competitive formation groups. But, if you look away from the individuals and focus on the formation and look at the formation as one moving entity, you begin to appreciate the performance even more. I think each Chapter did a great job and I did enjoy just watching for a change.

HBDA had a couple of guest performances highlighting the end of their show. First up was Renna Villanuaeva dancing with Robert Schiff performing a sexy Rumba. Closing the show was an entertaining amalgamation show dance put on by Yanna, Lucas, Marie and Paul of Divino Ritmo.

I’d like to thank my friend, fellow dancer, and photographer, Jackson Cho, for providing me with some pictures of the event to share with you. Thanks for sharing your pictures Jackson. It was a particularly enjoyable event.

With Aloha,
Calvin & Debra

Dance Hawaii

2011-09-05T00:56:00.000-07:00

The news from Dance Waipahu is bringing up the hits in the Platinum Horseshoe blog very nicely. The classes on Mondays at August Ahrens School and on Tuesdays at Visayan Hall with excellent instructors are getting well known in this new territory.

"As people spin faster and faster in the pursuit of

merely personal happiness, they become exhausted in

the futile effort of chasing themselves."

Then there are the occasional dances at the August Ahrens School, like they had last Friday. The whole enchilada is developing extremely well.

Then there is the Moanalua Corridor improving steadily and trying to get the information needed for a good blog. We accept that we are still a long ways from social media.

Dance Aliamanu has classes on Tuesdays and Thursdays at the Aliamanu schools and naturally an excellent staff of instructors, among them Reggie Gascon who is also the Dance Director of Dance Hawaii.

"How High The Moon" by Les Paul and Mary Ford

The monthly dances, coming up at Radford High School (Sept 10) and Aliamanu Intermediate (Sept 17), have been well attended and appreciated by the local dancers. The dance group is increasing steadily as they acquire more social dancers in the vicinity.

On Saturday, Sept 24, the second Dance Hawaii appearance at the famous Palladium. Last time they had a full dance floor and they expect it to get even better yet this time.

Then they are even looking forward to their third Anniversary and Charity Ball at the Pacific Beach Hotel, the Grand Ballroom on Saturday, March 3, 2012. You've come along ways, baby.

Pub's Note: And with the new Dance Pavilion in Waipio, "You ain't seen nuttin' yet." Maybe a Dance Waipio.

When did Dance Start?

2011-09-02T00:46:00.000-07:00

By Frank Palomar, San Francisco.

The presence of people in Mesoamerica is generally thought to date back about 20,000 years. But it may date much farther back than that. And the people that settled in Mexico encountered a climate far milder than the current one. In particular, the Valley of Mexico contained several large lakes surrounded by dense forests.

“It is better to ask some of the questions than to know all the answers.”

Bison, deer and other animals roamed in large numbers. Such conditions encouraged the pursuit of a hunter-gatherer existence for some 12000 years. Mastodons and Saber-toothed Tigers still existed too.

Then about 10000 years ago, same as most other places world wide, Agriculture was uncovered. Indigenous peoples in western Mexico began to selectively breed maize plants from precursor grasses. The diet of ancient Mexico included corn (or maize), squashes such as pumpkin and butternut squash, common or pinto beans, tomatoes, peppers, cassava, pineapples, chocolate, along with splashes of meat now and then.

"Moliendo Cafe" by Azucar Moreno

Mesoamerica is the only place in the Americas where indigenous writing systems were invented and used before European colonization. While the types of writing systems in Mesoamerica range from minimalist "picture-writing" to complex logophonetic systems capable to recording speech and literature, they all share some core features that make them visually and functionally distinct from other writing systems of the world.

And with it came the first hints of dancing and drums in the entire world. Some two thousand years before India. The point in time where people started to dance is very hazy, in fact it is more like a cloud than a point. Indeed, there are people who believe that man has danced since before homo sapiens, 35000 years ago? Perhaps some rudiments of movement to rhythm, but not really.

"Tangerine" by Jimmy Dorsey

This is true in the fact that before he had the power of speech ancient man conveyed thoughts, wishes, and emotions through actions, just as we do in modern day ballets. However, for our purposes we should consider man to have started dancing when he danced for entertainment or spiritual reasons. And that was when he settled down, at the beginning of agriculture.

The first recorded dancing, is among the ancient civilizations of the middle east and India and among the aboriginal people of the Americas, Australia, and Africa. In studying the First Dynasty of Egypt, (around 3000 B.C.), archaeologists have found relief's showing a kind of dance or body language. And as culture in Egypt advanced, paintings were made showing musicians and dancers.

The people from Europe to Asia, just didn't have it until much later. In the Americas, Australia, and Africa the aboriginal people danced both for spiritual reasons and for entertainment. They would dance for almost everything from the potlatch to the funeral. They may have been one of the "danciest" groups of people of all time. Their dances still influence dance today. For example, there have been many ballets performed in North America based on the dance and legends of the Indigenous.
(to be continued)

"Por Tu Suelo" por Maria Alarcon

Pub's Note: In town there are three blogs just begging to be taken over by a few contributing editors (guest authors.) Town Dancer, Club Dancer and Beyond Oahu. First come are the information contributors and they furnish what little information we are able to gather. We need more information for more readers.

HBDA's KOKUA AIKANE Fundraiser Saturday-September 3

2011-08-31T23:53:00.001-07:00

KOKUA AIKANE FUNDRAISER

AWGC PALLADIUM

SATURDAY, SEPTEMBER 3, 2011

Food served with prepurchased ticket from 6 - 7 pm

Music from 6 pm

Dance entertainment at 7:45 pm

JOIN US!!!!!!

We proudly announce the encore chapter performances and solo routines for the Dance Program commencing at 7:45PM with Introductions by Executive Associate and Emcee Jack Legal, Chapter Roll Call as follows:

 Ala Wai/Kailua/Kaimuki – Rumba

 Choreographers John and Karen Kotake

 Pearlridge – Tango

 Choreographers Danny and Greg Carreon

 Mililani – Rumba

 Choreographers Esmenio and Roselily Andres

 Royal – Samba

 Choreographers Eric and Gail Tiwanak

 Kaneohe – Rumba

 Choreographers Eugene and Melanie Higa

 Manoa, Kaimuki – Medley Peabody/Samba

 Choreographers Mark and Patty Dela Cruz

 Kapolei – Waltz

 Choreographers Benny and Faith Agbayani

 Ala Wai, Beta, Kaimuki – Paso Doble

 Choreographer June Kadomoto assisted by Ed Yuen

 Aliamanu – Rumba

 Choreographers Romeo and Miriam Quemado

Solo Performances

 Dr. Robert Schiff and Professional Renna Villanueva

 International Rumba

 Marie Laderta with Professional Lucas Jaime, and Dr.Paul Laderta with Professional Yanna Samkova

 Medley of Latin, Standard, Rhythm and Smooth called “ALEGRIA”, a Show Dance.

August Moon at the Cupola

2011-08-29T01:23:00.000-07:00

By Marie C. Laderta

Legends say that the moon is brightest and roundest on the 15th day of the 8th moon, around the time of the autumn equinox. Legends, particularly Chinese, Malay, Singaporean, Vietnamese, Thai and Filipino also sometimes refer to the celebration of the full moon as Lantern Festival or Mooncake Festival. In the Western tradition, it is also called the Hunter's Moon or Harvest Moon.

Under this bright Autumn moon, Lucas & Yanna invite you to join them and their Divino Ritmo Dance ohana, at their social dance this Tuesday, August 30th, 7-10pm at the CUPOLA!

Cupola is on the 2nd floor of the Honolulu Design Center, corner of Piikoi & Kapiolani, at 1250 Kapiolani Blvd. Admission and parking are FREE and it's open to the public, with pupus and drinks available for purchase all evening!

Most enthusiastically celebrated by the Chinese and incorporated in China as one of their public holidays, the "Moon Festival" (as commonly called by the Chinese) is celebrated by Chinese and others all over the world in a variety of regional and cultural customs.

Common customs include eating moon cakes, gazing at the moon, carrying brightly lit lanterns, lighting lanterns on towers, floating sky lanterns, burning incense in reverence to the deities, barbecues with family and friends and of course DANCING, typically Fire Dragon Dances.

There are many stories and folk tales about the moon maiden and the Lady on the Moon who is reunited with her lover and husband once a year on this day of the fullest moon. Typically, the Moon Festival is known as the festival of reunion. All family members try to get together on this special day in thanksgiving. Those who cannot return home would gaze at the bright moonlight, reminisce and feel deep longing for their loved ones. Chinese poets have written about long lost lovers finding their way to each other, their path illuminated by the bright moonlight.

There is a famous Chinese poem written about this that I memorized as a child:

The snow scattered on the ground...
I raise my head & gaze upon the bright moon...
Lowering my head, I long for my loved ones and my home..."

(Loosely translated by me)

So, please join us on Tuesday, August 30th at the CUPOLA, a day set aside to dance, feast and celebrate in Divino Ritmo style the making and renewal of friendships, of romantic rendezvous, and good ol' Hawaiian Aloha and Ohana!

For more information, contact:
Lucas: divinoritmo@aol.com, ph: (917) 568-3173;
Yanna: Yannajs@gmail.com, ph: (732) 499-0407

The Paso What?

2011-08-27T00:25:00.000-07:00

By Colin Hillary. Las Vegas

This article is not intended as a disertation but rather to marvel at the phenomana of world wide acceptance of the five Latin dances as the criteria for International Competition. I mean, does anybody in our industry, which is not that old, know why we include the Paso Doble?

"Looking back on a happy life, one realizes that

one was not happy all the time."

Don't get me wrong, it is one of my favorites and I would be devastated if it were deleted, but talk about obscure dances! It is easily justified now as the dance to observe a couple's ability to dramatize and theatricalize, but its closet-link is Spanish Flamenco, although we incorporate hardly any of the "authentic" movements from this dance form.

The wonder of it all now is that, not only does the number of countries which subscribe to this "style" of dance increases, but that no matter whether you're Australia, Finland, Taiwan, Lithuania etc. ... all with divergent cultures, the dances are instantly recognizable and comparable. Since I have listed countries where competition dancing is well established and flourishing, you will note the absence of Latin American countries. The remaining countries which will never allow "couple" dancing are mostly Moslem, Hindu or too poor to entertain such frivolity.

"El Cid" by Rene Touzet

The irony is that, whereas the ethnic authenticity, legitimate origins and hence arguable connection of the so called techniques of the Latin Dances is indefensible intellectually, the very inception and adherance to the art-form world wide by individuals and worthy organizations, has created a certain legitimacy of these dance forms and their characterization of ethnic cultures historically.

Danced well, the present style certainly conjures up images of what we could like to think of as representative of an earlier romantic time and place, which in turn has probably been subliminaly implanted by the "Hollywood Magic."

"Malaguena" by Placido Domingo

The only people who might be upset about this and perhaps have the right to be, are the people from the very cultures who, for the most part, only express astonishment upon observing this style of dance and what it supposedly represents. But in the absence of something "authentic" to replace what we presently have, it is inevitable that time will only reinforce this popular misconsception of the ethnicity of our competiton dances. To quote the definition of "Image." It is not what truly exists, nor is it what the informed know to be accurate. Image is simply what the people generally "believe to exist."

Another nice typo in the cooking section of a newspaper, with good spell checkers and good proof readers: The recipe advice is that "Bigger bowels are recommended if you double the recipe." This the kind of typo that makes "perfect" people feel so good, when they spot it. Makes them feel so superior. For most of us it is just quaint.

IBDI 50TH Anniversary

2011-08-23T21:02:00.001-07:00

International Ballroom Dance, Inc., had a big weekend celebration of their 50th Anniversary this past weekend. If you haven’t already seen it, you should check out Frank’s blog. As always, Frank’s blog is very informative with lots of detail on the event and the people behind it. If you haven’t seen it, click on the link below. Thanks Frank, you saved me a lot of time by posting your blog so quickly. By the way, I just checked Frank's blog and he's followed up with two more blogs featuring the performers. Great job Frank.

:http://getdancing.blogspot.com/2011/08/ibdi-50th-anniversary-ball.html

IBDI President, Chris Jay took the podium to make some announcements, as well as give a brief history of IBDI and introduce some past Presidents. After Chris' presentation, Kay Yahiku took over as emcee to get the program rolling.

IBDI spared no expense for their Ball at the Pacific Beach. The food was great - with prime rib, shrimp tempura, sashimi, etc. Table decorations included centerpieces of beautiful potted orchids provided by Ms. Emi Matsuoka. The music was great. It was a grand event.

Since Frank did such a good job on covering the event, let me focus on the performances for the evening. To help celebrate IBDI’s 50th Anniversary, and as a special favor to Grace Nohara, Mr. Shinobu Matsuura brought his studio group from Nagano, Japan, to put on a special performance. I was able to capture all of the performances and I hope you enjoy the images. The first to perform were two ladies whose names I didn't catch. I believe one of the ladies is Marie Miura and the other, Keiko Kawamata. They performed the Waltz.

Those of you who have been regularly attending the Hawaii Star Ball over the past decade should be familiar with Matsuura Sensei. He has been coming to Hawaii to participate in the Hawaii Star Ball every year for many years.

I had a chance to chat with Matsuura Sensei for a while and I’ll share some of what he told me. Perhaps you’ll find it interesting. Many of you are aware that he announced his retirement from competitive professional dancing a couple of years ago and he didn’t compete last year at the Hawaii Star Ball. However, he did mention that he will return to the Hawaii Star Ball this year, with students, to compete in the Pro-Am Scholarship events. So, the local professionals are going to have some competition in the International Standard category.

Second to perform was our own Grace Nohara, who performed a wonderful Viennese Waltz and Foxtrot Medley with Matsuura Sensei. The costumes were provided by Matsuura Sensei and Grace told me that the kimono she wore was a gift to her. Very generous.

Next performing were Keisuke Okamoto and Ami Tsukakoshi. They would do several performances throughout the evening, staring with the Paso Doble.

Their performances were excellent with sound International Latin technique.

Debra told me that Keisuke told her that they've been dancing for about 6 years now. They seemed pretty darn good for having been dancing only six years so I asked Matsuura Sensei for a little history behind this couple. More about them in a bit.

Next up was Sensei Shinobu Matsuura dancing a Slow Foxtrot with professional partner, Ami Tsukakoshi. This performance was a tribute to those who had served in the armed forces.

I think it's just amazing that Matsuura Sensei and his group would come to perform in Hawaii and bring with them all the costumes that you'll see in these images. Can you imagine what they must have paid for excess luggage? It is really a challenge for Debra and I to keep within the 100 lb. limit with just one set of Latin and Standard costumes when we travel to competition. Grace was overwhelmed by their generosity.

Following the Foxtrot came a very sexy Rumba performed by Keisuke and Ami.

As I started to explain above, I asked Matsuura Sensei about them. He explained that Ami's family owns a dance studio. So she has been dancing since she was a child. Keisuke too has been dancing for quite a while. So, it must be that they'be been competing together, as an amateur couple, for about 6 years. Their coach is Matsuura Sensei's son, who is currently the top competing Latin professional in Nagano Prefecture. Keisuke and Ami are the top amateur couple in the Nagano area and are finalists at the National level.

Matsuura Sensei and Ms. Matsuoka were back on the floor for a graceful Waltz performance.

Another change of costume. Just amazing.

Up next was a special treat - entitled "Illuminations", performed by Keiko Kawamata and Misako Ueno. Talk about costumes. These costumes must have weight 20 pounds each, with all the lights and wiring.

The lights in the ballroom were turned off and all you could see were the illuminated figures dancing a medly of ballroom Latin figures. It was interesting and entertaining.

For their last performance of the evening, Keisuke and Ami returned to the floor to perform their hot and energetic Samba!

These kids were good. By the way, Keisuke and Ami are ten-dancers - like most young amateur competitors. I'm sure they could have put on a great Standard show, had it not been for the Master taking all the Standard performances.

Keisuke and Ami have announced that they will be turning Pro in October of this year. We wish them the best of luck in their career.

This brings us to the last showcase performance for the evening. Matsuura Sensei and Ms. Matsuoka closed the show with a very creative medley of International Ballroom dances danced to the music of Japan and in traditional Japanese costumes.

If you don't know, in Japan, kimonos worn by professional performers can easily cost over $10,000, with some costing much more. Even their ballroom dance shoes were fashioned like tabi and slippers. Nice touch.

I hope you enjoyed the images of the performers. But, I'm not done yet. The next two collages are images of you, the audience. It was a packed ballroom and the floor was full of dancers. I didn't even have to leave my seat to get all these images. Click to open in a new window and enlarge further, and I'm sure you'll recognize many of the dancers, perhapes even yourself.

Matsuura Sensei came all the way from Nagano, Japan. If you're not quite sure where that is, it's in central Japan, nestled among the alpine mountains. It hosted the Winter Olympic and is also home the the adoreable snow monkeys. You must have seen pictures of snow monkeys who come down from the mountains to soak in the hot springs of Nagano.

All of the performers were at the Palladium the following evening to put on another show. But, that's another blog.

With Aloha,
Calvin & Debra

Web Sites, Blog Sites.

2011-08-23T00:48:00.000-07:00

Web sites and Blog Sites are not the same. Most everyone knows that but are not able to put their fingers on the differences. The blog came much after the Web Site so that the Web Site has seniority and has acquired great respectability and its acquisition can signify that you have "arrived." You will then command esteem from your fellow clubs. The Blog site is a newcomer and therefore subject to a little scrutiny. "Who are these ruffians?"

"Speak ill of no person, but speak all the good you know of everybody."

A Dance Web site has very useful functions that are very well utilized by a dance club. Scheduling is one of their best points. They can have an update monthly and every member of the Dance Club can be aware of what is going on and what is going to go on. Hard to beat that.

The photo album is also a very useful function. They can carry thousands of photos in their archives. A blog like Calvin's in the Town Dancer blog is limited in the number of photos but two or three times as many can be used in a Web Site. The photos in a blog merely enhance the results of the social function of reporting. And Calvin does an A numbah one job on it.

"We've Only Just Begun" by The Carpenters

Web Sites are also very good at establishing the clubs Status. and future endeavors for the good of the members and perhaps the entire dance community too.

And then as is very commonly occurring, some of them are including "Guest Posts" from outside blogs that cover their events. As HBDA includes Calvin's blogs in Town Dancer. And as Kapolei includes, Tim Cubero's blogs in the Platinum Horseshoe blog.

At no time do they ask for comments. A schedule is a schedule and a photo album is a photo album, period. "And you, Shorty, when I want your opinion I will ask for it."

"Turn Back the Hands of Time" by Tyrone Davis

Now a blog is much different and the biggest difference is the currency and frequency of information. Much more than a Web Site. They contain many opinions and they invite commentary. They cover dancing in most of its ramifications. And the effectiveness is in the amount of people that read them based on the counters that are furnished by the blogging companies.

"House Of The Rising Sun" by Frijid Pink

Town Dancer blog averages close to 100 hits per day. That is about 3000 hits per month. No Web Site or blog on these Islands can come even close to that. And that is my reason for working to get it completely independent and as an independent it will do even better yet.

Of course the results are that throughout the US, Web sites as a rule do not have counters. Most all Blogs have counters. The operators of blogs are interested in knowing if they are just beating their gums. Of course some will just do it for show.

You can buy hits on the open market but to most of us in dancing blogs, they are nothing and they mean nothing. The counter company will also ask you where you want to start your counter. Some start at a thousand or even more, which also means nothing. The increase from one day to the next is the important part. Then and only then do you know.

Pub's Note: Prediction; Town Dancer will hit 50,000 total hits right after the Hawaii Star Ball. Yes, I have been wrong before.

Dance Cruise Blog

2011-08-19T21:10:00.000-07:00

By now most of our reader/dancers have read Calvin's blog of the cruise. Although not officially a dance cruise, it was very nicely presented. I have been told that there have been many other dance cruises and there have been many photos taken. However only a few have appeared in Dance Web sites.

"Grief can take care of itself, but to get the full value of joy,

you must have somebody to share it with."

From an advertisement of a dance cruise on the internet.

Q. What do you call a line dancer on a cruise?

A. An Ocean 'Liner'

We will be having photos of our people at dance cruises in the future. And with a good write up to go with them too. So, some of you can only do half as good a job as Calvin? That is good enough. The readers will just eat that right up. Now you all know and we shall have them in these blogs for our reader/dancers.

In fact this may be where we will get some new information contributors. This blog shows no signs of stopping. It may slow down into a plateau, now and then, but then it surges up again. It is astounding. There is so much information that our readers are interested in. I certainly don't have it, but you do. Let's just give it to them.

Dancing on the Princess

2011-08-16T20:32:00.000-07:00

As many of you know, Debra & I went to Alaska a couple of weeks ago to join Debra’s family for a family reunion aboard the Golden Princess cruise ship. Yes, it wasn’t a dance cruise and Town Dancer is a dance blog. So, why a blog on the cruise? Simple - Debra & I got into dancing after going on a cruise. We wanted give all you dancers, who have never been on a cruise, a little insight on how much fun a cruise can be for dancers. And, we were asked. :-)

First of all, for the budget conscious, cruising today can be a great vacation bargain. On many cruise ships, if you look for bargains, you can get a week-long cruise (7 nights) for around $600. Maybe less, if you catch a last-minute deal. That calculates to under $90 a day. For that $90, you get to stay in a 4 or 5 - Star floating hotel with restaurants, bars, night clubs, theaters, spa, gym, pools, and all the food you can eat - 24 hours a day. And, this grand floating hotel will take you to different destinations - your room travels with you - you don’t have to pack and unpack. What a deal!

Now, for you dancers, if that wasn’t enough incentive to consider going on a cruise, every cruise ship we’ve been on has had multiple dance venues and each venue plays a little different music. On the Alaska cruise, aboard the Golden Princess, there were four different dance venues. They had several different bands playing dance music from the 50's, 60's, 70's and 80's. We danced waltz, foxtrot, quickstep, tango, rumba, cha-cha, samba, swing, jive, etc. They had a disco playing all the current hits for the younger crowd, or the young-at-heart. The dance floors vary in size from ship to ship, ranging from the lounge / night club size floors all the way up to mini ballrooms with live orchestras.

On a typical cruise day, you can get up (when you feel like it), go to the restaurant and have a full breakfast (or have room service breakfast), and relax in the many lounges or on deck. If you’re in port, you can just walk off the ship and take a walk into town. You can come back on board for lunch, if you like, or spend all afternoon exploring the town. Come back onboard in the afternoon or evening, relax a while, then get dressed and go to dinner in one of the restaurants. BUT, on the way to the restaurant, you hear some good music and you pop into one of the lounges and do a little casual dancing to work up an appetite. Then you have a great sit-down dinner at one of the restaurants where they serve you steaks, lobster, fish, chicken, pasta - just about anything you can imagine or want. After dessert, and maybe a cup of coffee, you can go to one of the live shows in the ship’s theater where they have Broadway shows, magic shows, comedy, etc., etc. Or, you can just go back to dancing and dance the night away. Oh, and if you don’t feel like going to one of the restaurants, they also have buffet lines, short order grills for burgers, hot dogs, pizza stands, etc. The options are almost endless. And, this entire time, you don’t need to spend a single dime - if you don’t want to. It’s all included in your price of admission to the ship. Now, how’s that for a deal. Alcohol and specialty drinks are extra - you pay for those. :-)

So, that’s it for our pitch for cruising for dancers. By the way, the collages, in order of appearance are: 1) Bon Voyage - from Seattle - check out Debra's family and relatives; 2) A little dancing; 3) Glacier Bay; 4) Images of Alaska; and 5) The flower garden (Butchart) in Victoria, Canada - our last stop on the cruise. Don't forget to click to enlarge.

With Aloha,
Calvin & Debra

USA DANCE - Night Club Two Step

2011-08-15T19:38:00.000-07:00

USA Dance, Honolulu Chapter, decided that it would be good to have a little variety in their workshops. So, the workshop this coming Saturday will be on the Night Club Two Step. The workshop will be conducted by one of Hawaii’s own instructors, Lucas Jaime, who many of you know from Divino Ritmo.

Night Club Two Step is a fun dance originated by World Swing Dance Hall of Fame inductee, Buddy Schwimmer. It is a social dance - that’s the way Buddy intended it to be (of course, people make competitions out of any dance). You may have read the blog I did on the Buddy Schwimmer workshop Debra & I attended - Buddy looked at Debra & I and immediately called us “ballroom”. He told us to relax our hold, drop our elbows - this is for social dancing - in Night Clubs . . . get it? . . . . crowded floor, little room to move . . . but, it is partner dancing with lead and follow. In fact, after going over several basic steps and amalgamations, he made everybody crowd together in a small space with no more than 2 - 3 feet between couples. This was in the Palladium, so he placed seats as barriers. He put on the music and said: “let’s see what you can do”. And, it worked.

We’ve found that Night Club Two Step is actually a very versatile dance. It can be done in crowded conditions and it can be made to move more fluidly across the floor if there’s a lot of space. It can be embellished with accents and extensions borrowed from many ballroom dances. In fact, since it’s beginnings many years ago, many dancers have added their own little twist to it and that’s how it should be with any dance.

So, if you want to have a little fun and learn the cool Night Club Two Step, check out the Palladium this Saturday afternoon. Here’s a link to a very basic demonstration of Night Club Two Step by Tony Meredith and Melanie LaPatin - some of you might remember them as choreographers for So You Think You Can Dance. http://www.ehow.com/video_4396831_night-club-two-step-dancing_.html Check it out, then go to USA Dance’s workshop this Saturday - I’m sure Lucas will have his own fun approach, creative as he is.

With Aloha,
Calvin & Debra